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...Pick Up Girls. And plenty of good advice, too--if we judge by the audience of the London Madhouse Stunt Show last Sunday night--an audience that was reduced to a malleable jelly of shrieking girls by what seemed to be one endless train of obscenities, phallic jokes and frontal nudity...
...Washington's most active regulators. In his two years as chairman of the Federal Trade Commission, Lewis A. Engman, 39, has adopted what seems like a wildly improbable posture. On the one hand, he is an outspoken champion of the free enterprise system and is leading a frontal attack on the federal bureaucracy that he believes is subverting it. At the same time he is an aggressive regulator of business. Yet Engman's self-appointed role as a sort of Ralph Nader out of Adam Smith involves no serious contradiction. He simply believes consumers are best served...
Most U.S. analysts and, privately, many South Korean officials doubt that the North Koreans will try a massive frontal assault against the South. Moreover, despite some resemblances, South Korea is vastly different from South Viet Nam. It is a cohesive country with a strong government, a booming economy and powerful, well-equipped armed forces. While there is internal opposition to the often repressive measures of President Park Chung Hee, there is nothing remotely resembling civil war; even the most outspoken dissidents, in fact, loathe the Communist monolith in Pyongyang, and North Korean infiltrators are almost invariably turned in by citizens...
...movements were caused by a neuromuscular reaction to the bullet entering from behind and that there was no medical evidence that Kennedy was shot from any other direction. In fact, one witness said, the motions of Kennedy's body could not possibly have been caused by a frontal bullet's impact. The report said that the witness "attributed the popular misconception on this subject to the dramatic effects employed in television and motion picture productions...
Evans's scenes--recorded mostly with an 8 by 10 view camera--are storefronts, factory towns, sharecroppers and their homes, statues, gas stations, 18th century Southern mansions, peeling posters, signs. His photographs are either very frontal--showing, with seeming naivete, an object or building in its surroundings--or they are shot from what appears to be a random, arbitrary view, as one would happen upon something while walking down a street. This "snapshot" approach has become the vogue in recent years with such photographers as Bill Eggleston, Lee Friedlander, Diane Arbus, and, to some extent, Robert Frank, and these last...