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...film is a sign of laziness. There’s not a weak song on the Garden State soundtrack—but do any of them really need to be in the film? Unlike Coldplay’s “Don’t Panic” or Frou Frou’s “Let Go,” “Mrs. Robinson” was written expressly for The Graduate, and there is something to be said for original music that supports an original film. Granted, the Shins’ song is a plot point...

Author: By Drew C. Ashwood and Chris A. Kukstis, CRIMSON STAFF WRITER AND COLUMNISTS | Title: "Listen, It'll Change Your Life" | 3/3/2005 | See Source »

...context they’re in: not so much the rather forced entry of “New Slang,” but the other Shins track, the Colin Hay track (we last heard him doing something about a “Land Down Under”) and the Frou Frou do wonders at conveying in music what’s going on in the movie...

Author: By Drew C. Ashwood and Chris A. Kukstis, CRIMSON STAFF WRITER AND COLUMNISTS | Title: "Listen, It'll Change Your Life" | 3/3/2005 | See Source »

...FUNNY.” This work, however, was not funny and no one seemed primed for laughter as the dancers (Dominique M. Elie ’06, Lucy F.V. Lindsey ’06, Lexi Tuddenham ’04) swayed in tree-like fashion to Frou Frou’s “Let Go.” At first the dancers who also choreographed the piece were attached together and swayed as one body, which proceeded to break apart and the dancers scattered erratically across the stage. At times the patterns didn’t match the tone...

Author: By Julie S. Greenberg, CRIMSON STAFF WRITER | Title: Review: Original Choreography Fuels ‘Collaborations’ | 4/19/2004 | See Source »

...Light in his Attic" appeared in the Oct. 11, 1999 issue of online magazine Salon (reprinted in the Harvard Salient earlier this fall). In the article, Horowitz lambasts West for what Horowitz sees as his intellectual emptiness and pretension: "While his writings combine the philosophically grandiose with postmodern frou frou, they are singularly lacking in the intellectual power that would sustain either." Horowitz moves from a questionable attack on West's intellect to a ludicrous charge of racism and anti-Semitism. He strikes at the very root of the Reader by ridiculing West's representation of self-discovery, saying...

Author: By Erik Beach, CONTRIBUTING WRITER | Title: Years of Debate Bound in One Volume | 12/3/1999 | See Source »

...Girls, Villa, and I'm Going to Maxim's. There are gypsy dances, a Parisian can-can and a lavish Merry Widow waltz, as well as a good deal of hand kissing, heel clicking, flower tossing, serenades under balconies and debauchery at Maxim's with Lolo, Frou Frou, Mimi, Yvette and Nicolette. Everyone works very hard at being gay, but somehow this Merry Widow is not always as lighthearted as it might be, perhaps because the makers of the picture tell the story as if they meant it. Valuable touches of insouciance are provided by Una Merkel...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 8, 1952 | 9/8/1952 | See Source »

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