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Word: frugalities (lookup in dictionary) (lookup stats)
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This is the value of Harvard's endowment at the end of fiscal year 1995. By 1996, the endowment's value had risen 26 percent to $9.1 billion, due mainly to the bull market, but just as important to this increase has been Harvard's frugal management of its precious nest...

Author: By Matthew W. Granade and Adam S. Hickey, S | Title: Total Assets | 6/5/1997 | See Source »

...while Harvard spends in great magnitudes, it has been criticized for being frugal with its assets, both externally and internally--just like any good company would...

Author: By Matthew W. Granade and Adam S. Hickey, S | Title: Total Assets | 6/5/1997 | See Source »

...Lost World cost about $75 million, peanuts compared with this summer's Speed 2: Cruise Control, heading for $140 million, and The Titanic, at about $200 million. During an Amistad pre-production conference, Spielberg flummoxed Katzenberg and DreamWorks film exec Walter Parkes by demanding that the already relatively frugal $56 million budget be cut an additional $20 million. "I saw The English Patient," he said. "I know we can do this for less." Spielberg enjoys talking about his work. "I'm deciding whether to use my castle or my second bishop," he says as he prepares a shot...

Author: /time Magazine | Title: CINEMA: PETER PAN GROWS UP BUT CAN HE STILL FLY? | 5/19/1997 | See Source »

...promoting his new movie on David Letterman wearing a blond wig and nylons? Where else but the Pudding, a Harvard institution by dint of being an institution and the nation's oldest the atrical company? Eat well (for the Hasty Pudding recipe, check out Lydia Maria Child's The Frugal Housewife, 1832), drink liberally and enjoy the show...

Author: By Sarah J. Schaffer, | Title: Drinks Before, Not After | 3/11/1997 | See Source »

...Sherak, chief of marketing at 20th Century Fox, says the industry used to assume that films drawing a largely African-American audience had a boxoffice ceiling of $40 million. Then came Fox's Waiting to Exhale, which was made for a relatively frugal $17 million and took in $65 million. But Sherak says the film didn't attract white audiences despite a hit sound-track album and the presence of Houston, who had already proved herself a box-office draw opposite Kevin Costner in The Bodyguard. "We tried to sell the story of four friends, not looking at color," Sherak...

Author: /time Magazine | Title: CINEMA: TESTING THE FAITH | 12/16/1996 | See Source »

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