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Amis is at his best in these graphic physical descriptions, which can be almost lyrical in their evocation of death and disease. But the dialogue between characters, circumscribed by their lack of self-awareness, tends to be inane and repetitive. "How the fuck do I know I want to fuck them till I fuck them? Be reasonable, woman. And anyway, so fucking what...

Author: By Joseph Straus, | Title: Parade of Horrors | 2/4/1976 | See Source »

...inherit the earth. Randle McMurphy (Jack Nicholson) arrives at a relatively quiet ward in a mental institution, where three-quarters of the patients are "voluntaries," and he proceeds to wreak havoc. The only crazy thing about him, he claims, is that all he wants to do is "fight and fuck." The state work farm has referred him to the doctors, who think he's faking. He does his best to show them they're wrong...

Author: By Paul K. Rowe, | Title: Off the Bus, Off the Wall | 1/14/1976 | See Source »

...whore into the ward and pushes Billy into a room with her for the night. In the morning, Billy's stutter is gone. The incident is typical of the instant cure approach to mental health that Forman is purveying. A good game of B-ball and a "good fuck" is all it takes...

Author: By Paul K. Rowe, | Title: Off the Bus, Off the Wall | 1/14/1976 | See Source »

...doctors and nurses are overthrown and the inmates reign over all. As a political metaphor it attempts to identify the lot of the oppressed with the lot of the incapable. Even Animal Farm deals with the same theme in a much more complex way. McMurphy's ethic of fuck and fight is hardly a more desirable way to run a society than the way of the nurses and the doctors (whatever the drawbacks of their system). Contemporary critics of psychoanalytic treatment of psychoses like Thomas Szasz have pointed out these drawbacks, and it's a pity that Forman didn...

Author: By Paul K. Rowe, | Title: Off the Bus, Off the Wall | 1/14/1976 | See Source »

Peretz acknowledges that the editors who left the magazine charge him with unprofessionalism, but he bristles, "What the fuck do they know?" He adds the observation that you don't go to school to become a professional editor. Walzer says that Peretz's particular skill in bringing off a marriage between author and subject. And members of the staff says that Peretz beats the bushes for new writers...

Author: By Clark Mason, | Title: What Peretz Has Done to The New Republic | 12/10/1975 | See Source »

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