Word: fucked
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...What d’ya want boss?” “Don’t talk to me like I’m some plantation owner” “What da fuck d’ya want then?” The above dialogue sums up the first meeting between sharecropper-turned-blues legend Muddy Waters and Leonard Chess, Chicago club owner and soon-to-be head of Chess Record Label. Chess and Waters are the subjects of “Cadillac Records” from writer/director Darnell Martin. Along with a stellar cast and soundtrack...
...maybe even earn him an op-ed column in The Crimson. Character: Roger Mexico—“Gravity’s Rainbow” by Thomas Pynchon Caricature: Public Piss Guy Roger Mexico begins the novel romantic (“They are in love. Fuck the war.”) and intellectually sophisticated (the Rockets fall according to a Poisson distribution, people! A Poisson distribution!), but he ends it broken-hearted, broken down, and maniacally pissing on a boardroom table. So next time you see Public Piss Guy letting the John Harvard statue have it, just remember: there?...
...comments “Oh my god, public schools are so random!” and talks about “public school sluts.” And Jonah makes extensive use of the word “homo” and the phrase “fuck you, Miss!”While many scenes in the show play out in a way reminiscent of the awkwardness of “The Office” or a Christopher Guest film, the show crosses myriad lines on the less policed airwaves of HBO. Ja’mie explains that...
...Rock, “Everybody Hates Chris,” Rock shoots off a routine satirizing Ludacris as “the only rapper that doesn’t bring a gun to the airport.” The rapper sings the rousing, repetitive chorus of “Fuck you, Luda,” which is more than enough to demonstrate Ludacris can still poke fun at himself. Luda’s most brilliant moments are those metaphors that make you laugh out loud with their bizarre lewdness or popular culture references, such as when he promises to make...
...there was a harmony, a beauty that could not be denied. Then in “12 Memories,” Travis brought their gaze to the world and saw their music fall apart. The darkness they saw upset their precious harmony. Songs like “Peace the Fuck Out” or “Re-offender” were mere propaganda pieces, just outgrowths of their politics. (Travis is an active opponent of the War in Iraq and leads campaigns against poverty and the genocide in Darfur.) The music sucked, the choruses were clunky, the melodies stuck...