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...downtrodden--Terkel instead has culled enough of a range of happiness and unhappiness from his interviewees to stir the emotions without demanding any clear reaction. For every openly frustrated speech--like the steelworker (Michael Rapposelli) who wants desperately to get out of work and "go tell some guy fuck you," because he can't tell his boss--there is a dreamer like Anthony Calnek's stonemason, who notices the crooked bricks in every house he has ever built, and glories in the nobility of the work...

Author: By Amy E. Schwartz, | Title: It Works | 10/26/1982 | See Source »

...went. But Costello's brazen contention that the only emotions he could feel were revenge and guilt quickly became a self-fulfilling prophecy. Forty-five minute, "fuck-the-world" concerts were the rule; there were no exceptions. E.C. refused for a time to talk to the press, and he slid inexorably towards that fateful night in Columbus with Stills bandmembers...

Author: By Michael J. Abramowitz, | Title: Growing Up With Elvis | 9/21/1982 | See Source »

Inexplicably, Cathy's long legs, lavish curves, blond hair, pleasant disposition and cagerness to experiment sexually cannot hold Michael's attention. Hater Lina (Valerie Quennessen), a be witching French archeologist from the village down the street who fits Mike's bill as the perfect zipless fuck--there's really no more appropriate tern for it then that one, coined by novelist Erica long...

Author: NO WRITER ATTRIBUTED | Title: Misbehaving | 8/13/1982 | See Source »

...else that he can outlast his opponent When the two part company at film's end. Ensign Mayo concedes without emotion that he wouldn't have persevered without Foley's reverse-psychology butt-kicking. Gosset draws his lips into a by-now familiar tight line and hisses. "Get the fuck out of here...

Author: By Paul M. Barrett, | Title: Growing Up In The Navy | 8/6/1982 | See Source »

...situations, and he counts on the audience to look to him for relief. In John Reed, Beatty found a figure ideally suited to his own quiet narcissism--a modern saint, political innocent and martyr. And, rounding the character slightly by showing his insensitivity to others, "You love yourself; you fuck me" brays Diane Keaton) Beatty gives a smart, delicate performance, sleepy but cognizant, doggedly pursuing his ideals while the world blows up around...

Author: By --david B. Edelstein, | Title: Revolution As Aphrodisiac | 12/16/1981 | See Source »

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