Word: fudd
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Dates: during 1980-1989
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...animated paint and ink that served as anarchic baby sitters for a couple of generations of Satur- day-matinee kids? A duck getting its beak blown askew by an irate hunter is art? Well, yeah, when the duck is Daffy and the hunter is the dully malevolent Elmer Fudd. In Rabbit Seasoning (1952), Daffy and Bugs are out to convince Elmer that the other is the legally blastable species. In the midst of an argument, Daffy encounters some pronoun trouble and tells Elmer, "I demand that you shoot me now!" Daffy turns to Bugs, sticks his tongue out in "nyah...
...director must be "prepared to trust Shakespeare." Here that means highlighting each word and gesture so that it plays for a modern audience. In Much Ado Hands digs deep into a bag that must be marked TRICKS THAT WORK. A courtly messenger declaims his prose in an Elmer Fudd accent; Benedick parades his manhood with the rakish tilt of his sword sheath; Constable Dogberry (Christopher Benjamin) casually flings a purse in the air, and his deputy Verges catches it in his hat. The gags, however earthbound, raise laughs hearty enough to fill Broadway's biggest house. But around...
EVERY TIME be opens his mouth, Interior Secretary James Watt--the Elmer Fudd look-alike who wants to turn America's wilderness into an ecological charnel house--provides fresh proof that he is about as fit to run the Interior Department as your average fox is to guard a chicken coop...
...Wilkof is fine as Seymour, the mass murderer with a heart of buttercream chocolate. But the spotlight belongs to Ellen Greene. Her Audrey is a sweet, sexy, slightly dizzy blond with an Elmer Fudd lisp and wittle-girl wiles. Then Greene sings-and the theater walls buckle in awe at her volume and power. In her solo, Somewhere That's Green, in which she dreams of a home with every consumer cliche the '50s could offer, and in her second-act duet with Wilkof, she proves that Ellen Greene, not Audrey II, is the wildest force of nature...
...Python's sordid animator in Time Bandits and often uses people as if they were cartoons. There are many violent scenes worthy of Tom and Jerry or Wile E. Coyote except with live subjects as characters smash into walls, eat rats, and explode. It's bad enough when Elmer Fudd blows up and survives unscathed, but the violence here is too up-front to be humorous and gets in the way of any moral...