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...with an undergrad room. Fax machines, iMacs and sleek silver chairs exemplify the center’s melding of science, design and overworked grad students. Though the lounge may be dead on weekday afternoons, the place becomes popular around 5 or 6 p.m., reports first-year graduate student Michael Fuerstman, who is studying physical chemistry. Fuerstman says he hits the center at least once a day and thinks the lounge is an important hangout for chem grad students. “There is usually someone on the pool table [after 5] and sometimes there’s even a line...

Author: By Sarah S. Burg, CRIMSON STAFF WRITER | Title: A Room of Their Own | 4/11/2002 | See Source »

During the Olympic hockey finals, almost all the graduate students came to the center to watch the U.S. play Russia and Canada, according to Fuerstman. “It was really cool to see everyone,” he says. “I think [the center] helped bring our class together, especially in the first semester...

Author: By Sarah S. Burg, CRIMSON STAFF WRITER | Title: A Room of Their Own | 4/11/2002 | See Source »

...side was made up of freshman captain Mathias Crawford, junior Matthew R. Lincoln, Wentz and Michael Fuerstman, a first-year graduate student and Chem...

Author: By Jessica T. Lee, CRIMSON STAFF WRITER | Title: Curling Gains Popularity, Club Travels to Nationals | 3/20/2002 | See Source »

...cycle of seven songs on poems by Paul Eluard, each of which portrays a painter of this century: Picasso, Chagall, Braque, Gris, Klee, Miro, Villon. Despite their date, they, too, hearken back to an earlier period and have a great deal in common with the songs of Faure. Miss Fuerstman, who is studying for a Masters in voice at the Manhattan School, failed to achieve a sense of phrasing in the more declamatory songs; elsewhere, however, she exhibited a rare blend of spirit and control. Both compositions of Poulenc suffered from problems of balance...

Author: By Robert G. Kopelson, AT KIRKLAND HOUSE FRIDAY NIGHT | Title: Twentieth Century Chamber Music | 5/23/1967 | See Source »

...Joan Fuerstman's dark yet well-focused mezzo-soprano was the highlight of the evening. Besides the Poulenc she sang Ravel's Deux chansons hebraiques, which contrasts the rhapsodically set Hebrew poetry of the "Kaddish" with the simple Yiddish wisdom of "L'Enigme eternelle." She closed the program with a performance of the Siete Canciones populares Espanoles of Manuel de Falla. Both works date from 1914 and were perfectly suited to her expressive temperament. She performed them with an unostentatious professional polish that was pleasing to hear...

Author: By Robert G. Kopelson, AT KIRKLAND HOUSE FRIDAY NIGHT | Title: Twentieth Century Chamber Music | 5/23/1967 | See Source »

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