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Word: fugal (lookup in dictionary) (lookup stats)
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...black and white, Demy's genre seems to produce stories with discontinuous, rather fugal, structures. Blazing with color, Umbrellas of Cherbourg has no such effect: the realism is gone, and with it the crisp texture. But the musical structure remains, ballad-like now and thoroughly impressionistic...

Author: By Jeremy W. Heist, | Title: The Umbrellas of Cherbourg | 2/8/1966 | See Source »

...Would the world's greatest religious composer have spent his last days writing mere fugal exercises?" she asks. Her contention, briefly, is that The Art of Fugue "is Bach's story of the Crucifixion and Resurrection of Jesus and the salvation of mankind; including his own personal salvation in the final fugue. When he reached this point, the plan was too stupendous, even the master could not complete it." (No plan would have been too stupendous for Bach; but let's not go into that...

Author: By Caldwell Titcomb, | Title: Two Women Play Bach | 8/2/1962 | See Source »

...triumph of the evening was Mozart's "Jupiter" Symphony, No. 41. The HRO displayed its impressively solid strings and wood-wind ensemble. Senturia followed a sharp initial attack with a fine, deliberate tempo. He concluded the fun of the third movement (Allegretto) with a stately allargando. And in the fugal stacking of themes at the final coda, he delineated each important voice...

Author: By Jorl E. Cohen, | Title: Senturia's Last Bow | 5/1/1962 | See Source »

...Senturia's pared-down orchestra (the Symphony is scored for brass, winds, tympani and 'cellos) provided an admirable accompaniment. The first desk winds handled the fugal introduction to the second psalm with ease, a particularly delicate passage full of grace and restraint, and in the more monolithic third psalm the brasses showed strength and carefully controlled enthusiasm...

Author: By Anthony Hiss, | Title: Christmas Concert | 12/16/1961 | See Source »

...were something besides an instrument. Vocally, the score is in the Verdi-Puccini tradition; orchestrally, it recalls most frequently the sonorities of Richard Strauss, especially of Rosenkavalier. Giannini did not shy away from penning a beautiful, lush love duet for each pair of lovers. The first act has a fugal trio that can take its place with the finale fugue in Verdi's Falstaff; and the third act has a masterly vocal sextet...

Author: By Caldwell Titcomb, | Title: Arts Festival Exhibits Stir Up Controversy | 7/5/1960 | See Source »

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