Word: fugard
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Dates: during 1960-1969
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...spurt. The Ofay Watcher meanders through a black-white confrontation with moments of humor but no fresh insights. Years of sibling rivalry and family dissonance are spewed up in an evening-long wrangle between a brother and a sister in Hello and Goodbye by South Africa's Athol Fugard. Unlike a good family fight, a bad one sounds dull, mean and petty, though Colleen Dewhurst as the whoring sister gives a performance that is etched in sulfuric acid...
...Athol Fugard's The Blood Knot came out of South Africa eight years ago. It was first produced in Johannesburg in 1960--its black and white actors had to be called "guests" to perform together in the theatre workshop. Blood Knot ran off-Broadway in 1964; with half of its two-man cast unchanged, it is now presented by the Theatre Company of Boston...
Thursday, January 30 NET PLAYHOUSE (NET, 8-9:30 p.m.). Athol Fugard's drama, The Blood Knot, explores the relationship of two South African brothers-one black and the other who could pass for white...
...BLOOD KNOT. Two half brothers, one light and one dark, act out in miniature the torment of being a racial outcast in present-day South Africa. Playwright Atholl Fugard writes with a tenderness, poignance and understanding that crosses all color lines...
...BLOOD KNOT. Two halfbrothers, one light and one dark, act out in miniature the torment of being a racial outcast in present-day South Africa. Playwright Atholl Fugard writes with a tenderness, poignance and understanding that crosses all color lines...