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Just as in the previous race, the Tigers jumped out to an early advantage. This time though, they took three or four more seats on the Crimson, gaining almost a full-length advantage. The lead proved too much for the Harvard oarsmen to overcome. The Crimson finished 2.3 seconds behind Princeton in a time...

Author: By Jessica L. Flakne, CRIMSON STAFF WRITER | Title: Harvard Heavyweights Win Sprints Title, Lightweights Second | 5/18/2010 | See Source »

...past academic year, only a quarter of all courses offered by the College gave full-length exams, reflecting a recent trend away from that style of examination...

Author: By Noah S. Rayman and Elyssa A. L. Spitzer, CRIMSON STAFF WRITERS | Title: FAS Deficit On the Road Toward Recovery | 5/12/2010 | See Source »

...first five seconds of opening track, “Odessa,” it is apparent that Caribou’s latest release, “Swim,” is very different from his last. 2007’s “Andorra,” the previous full-length release by the electronic artist and Ontario native David Snaith, was a record of textures, the kind of album that is best appreciated alone, eyes closed, with headphones on. 40-odd minutes of meandering, unpredictable soundscapes, “Andorra” waxed and waned but never climaxed, never...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Caribou | 4/20/2010 | See Source »

...short story offers inherent advantages over the novel, stemming simply from the length, which imposes a certain focus and brevity on the author’s prose. The writer can simply offer an evocative scene, without the pressure of maintaining plot momentum and design over the course of a full-length novel. Perhaps the greatest strength of the form is that the story relies so heavily on what is left unsaid. Every gesture, every phrase, every detail in a great story takes on additional significance since it both signals the literal action and evokes everything that is left...

Author: By Theodore J. Gioia, CONTRIBUTING WRITER | Title: Making the Case for the American Story | 4/13/2010 | See Source »

...wrote a draft my sophomore year; it wasn’t for course credit or anything. I just really felt like I needed to write it, and I wanted to write a full-length musical. They say to write what you know, so I took everything that I knew and threw it into the pot and called it “In the Heights,” and then over the course of the eight-year process getting “Heights” to Broadway, I learned how to write. It’s a lot of discarded songs...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: SPOTLIGHT: Lin-Manuel Miranda | 4/13/2010 | See Source »

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