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...fancy runs to officers' capes, Indian ponchos and thrift-shop oldies (especially the heavily embroidered, fringed variety once reserved for' covering grand pianos). Smart young matrons favor practical, less voluminous versions, often reversible and generally hooded. Pacesetters turn out in everything from Revillon's full-length black fox trimmed with chicken feathers and Adolfo's butterfly-wing silk kimono to the all-mink tent that Actress Elsa Martinelli wore over a sequined bathing suit at a Paris play opening. French, Italian and American designers practically all featured winter-weight capes last fall: those sent down...
Perhaps the highest compliment that may be paid to their mutual work is that they raise Pinter's first full-length drama to virtually equivalent rank with such later, more lavishly acclaimed dramas as The Caretaker and The Homecoming. Actually, The Birthday Party seems to possess a more vivid symbolic imagery and a greater sense of motion than the other two plays. Like Waiting for Godot, although in a totally ominous sense, this is a play about waiting. Stanley (Robert Phalen) is a piano-playing recluse hiding out as a boarder in a small provincial town. The landlady (Betty...
...plays are wakes for God. His desperate cosmic longings are deeply felt; but prolonged mourning, like anything else, does grow tedious. That is why Beckett is best in small doses. A brief cloudburst of tears like the one-acter, Krapp's Last Tape, is morosely refreshing, but a full-length downpour like Godot leaves one in a state of nihilistic depression...
...young woman arrives at a party. She is thoroughly swaddled in a full-length coat, high boots, fur hat and long gloves. Still, she is shivering. She stomps her feet to shake off the snow and removes her coat. Now the other guests begin to shiver. No wonder: on this bitter midwinter night, the woman is wearing shorts...
...once drew a bedraggled cube with a trail of bubbles overhead. In the largest bubble was a perfect cube, its sides impeccably straight. The cartoon was dreaming about its platonic ideal. If Saturday morning TV cartoons dreamed, the feature in the top bubble would be The Aristocats, the latest full-length feature from the Disney fun factory. Other animations, such as Heinz Edelmann's Yellow Submarine, may show more audacity. The melodies in Disney's earlier efforts have been richer. But for integration of music, comedy and plot, The Aristocats has no rivals...