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...said that Miss Taylor intentionally gained weight to play Martha in Who's Afraid of Virginia Woolf? If so, she must have gone into this film too fast to trim it off. Huston wisely spends most of the time presenting Miss Taylor in unbuttoned blouses, but a full-length nude shot of her (or her stand-in) climbing a stair simply fails to justify the spying enlisted man's sudden fixation for her. Her performance is, on the other hand, quite thin, with Miss Taylor's most affecting scenes those with her horse...

Author: By Glenn A. Padnick, | Title: Reflections In A Golden Eye | 10/25/1967 | See Source »

...will soon become evident in other hippie centers like Los Angeles, Chicago and New York City. Commercialism was rife last week among the "work tribes" of Manhattan's Lower East Side: craft shops were bursting with tourists and the Group Image was busy shooting not speed but a full-length psychedelic western titled Indian Givers, in which Guru Timothy Leary plays, of all unlikely roles, a sheriff. Already a gnawing sense of malaise is setting in. Says one of the Group's veteran members, Roger Ricco, 27: "A kid comes up and hands me a flower...

Author: /time Magazine | Title: Hippies: Where Have All the Flowers Gone? | 10/13/1967 | See Source »

STAUFFENBERG, by Joachim Kramarz. In a readable full-length biography, a German historian tells the story of the aristocratic colonel whose attempt to assassinate Hitler with a planted bomb was foiled by freakish chance...

Author: /time Magazine | Title: Television: Sep. 15, 1967 | 9/15/1967 | See Source »

...German officer whose attempt to assassinate Hitler with a planted bomb was foiled by a freakish chance, has rarely rated more than brief references. Now German Historian Joachim Kramarz has pieced together the unfortunately sketchy materials on Count Stauffenberg's life and his daring plot in a readable full-length biography...

Author: /time Magazine | Title: Books: A Higher Responsibility | 8/25/1967 | See Source »

Only hours before the blaze broke out, the company had marked the midpoint of this summer's season with the U.S. premiere of Paul Hindemith's first full-length opera, Cardillac (1926). The work reflects Hindemith's youthful expressionisms although its intricately polyphonic writing and its theme-the creator v. society-also presage such products of his maturity as the 1938 opera Mathis der Maler. The libretto by Ferdinand Lion is based on an E.T.A...

Author: /time Magazine | Title: Festivals: The Phoenix of Santa Fe | 8/4/1967 | See Source »

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