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...first play, “My Vicious Angel,” received critical acclaim in her native Australia. Following the success of “My Vicious Angel,” Evans decided to pursue an MFA in playwriting and a Ph.D. at Brown University. She has written five full-length plays and multiple short plays, all of which have been produced.‘SENSE OF VERTIGO’Evans says the writing process is one that she almost doesn’t control.“I’ve found that the subject matter chooses us. Playwrights...
...then expands on it, pushing the conventions of pop music to their outer limits. In large part, that achievement comes because the band never yokes their primal instincts, choosing raw emotive power over restraint in their songs. That’s led to a disparate discography, consisting of eight full-length discs in seven years. As soon as an album’s done, a new batch of songs suddenly crops up, sui generis. Wandering souls can’t sit still, and so the band never encounters their own boundaries because such boundaries don’t exist...
...actors declaim in bombastic gestures, the canned music hits overly ominous chords, and the printed intertitles often read like the mutterings of obsession ("Force!" "Must escape!" "What if???"). If this sounds off-putting, jump back on, because Maddin's films - from Tales of the Gimli Hospital, his first full-length feature 20 years ago, to last year's silent feature Brand Upon the Brain!, and especially his magnificent 6-min. The Heart of the World, commissioned by TIFF in 2000 - are headlong, heartfelt, weirdly sexy and a hoot. I don't want to diminish his artistic achievement, but the Maddin...
...featured losers to starring roles. Rogen was one of Steve Carell's friend-torturers in The 40-Year-Old Virgin before getting Knocked Up, and Hill was a Rogen buddy in that film before Superbad. From this natural selection of the lamest, Mintz-Plasse has proved he merits a full-length Fogell feature...
...which sets up a mystery it never resolves, quickly became a rallying cry and furious debating point for serious film lovers. La Notte (1961), Eclipse (1962) and Red Desert (1964) cemented Antonioni's reputation as an anatomizer of malaise and a supreme picture-maker. Blowup (1966), his first full-length English-language film, was a sensation for its frank view of sex, drugs and rock 'n roll in swinging London. It grossed $20 million (about $120 million today) on a $1.8 million budget and helped liberate Hollywood from its puritanical prurience...