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...made an impact with the cognoscenti were mainly from France, Italy and Japan. Bergman, though, was a one-man film movement; his instant eminence created a cottage industry of Bergmania. Janus Films, with U.S. rights to most of his pictures, ran Ingmar Bergman festivals in theaters around the country. Full-length studies of his work appeared in English, French, Swedish. In 1960 Simon & Schuster published a book of four of his screenplays (Smiles of a Summer Night, The Seventh Seal, Wild Strawberries, The Magician). For a generation of budding cinephiles, that settled it. Film was literature. Movies were...

Author: /time Magazine | Title: Why Ingmar Bergman Mattered | 7/30/2007 | See Source »

...Kingdom) to break up Christian services. Foreign residents complain of other incidents in which they have been singled out, including the case of a 25-year-old Mongolian woman who was accosted at a glitzy Riyadh shopping mall. Although the woman was clad in an abaya, a full-length black gown, a gesticulating mutawwa seemed bothered that her face and ankles were not covered, too. He shoved her into a taxi, pawed her robe open and denounced her as a Filipina gahbah (Filipina prostitute). She was interrogated, forced to confess and sent to a prison for women. There she might...

Author: /time Magazine | Title: Vice Squad | 7/26/2007 | See Source »

...with archive material from older artists. Just last month, the Mail on Sunday gave away a Peter Gabriel CD: a mishmash of not-so-famous tracks and live performances. But this is the first time in the U.K that a top-selling established artist has ever given away a full-length new release for nothing. What if others follow Prince's lead? How will retailers, who are already struggling to compete with supermarkets and online stores and Starbucks, survive if artists cut them out of the loop...

Author: /time Magazine | Title: Why Prince's Free CD Ploy Worked | 7/18/2007 | See Source »

...same time very profound,” Wilner says. Wilner understands that the emotional depth of “Who’s Afraid?” also presents unique challenges for him and the actors. Wilner is a seasoned actor in HRDC productions, but has never directed a full-length play at Harvard before. “I’m hoping there was something foolhardy about doing this play, but that it works out in the end,” he says. Fortunately, Wilner’s personal approach to theater is a laid-back...

Author: By Juli Min, CONTRIBUTING WRITER | Title: A Heavy-Hearted Romp | 5/2/2007 | See Source »

After assembling a selection of short Beckett plays last spring, Daniel J. Wilner ’07, a veteran actor, is ready to direct his first full-length play, Edward Albee’s Pulitzer Prize-winning “Who’s Afraid of Virginia Woolf?” which is opening at the Loeb Ex this weekend. As if that wasn’t demanding enough, Wilner, a philosophy concentrator, also chose to write a senior thesis. "In a way, it was really useful to do both at once. It got a little hectic juggling rehearsal...

Author: By Charles R. Melvoin, CONTRIBUTING WRITER | Title: SPOTLIGHT: Daniel J. Wilner '07 | 4/27/2007 | See Source »

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