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...series like Dora the Explorer and SpongeBob SquarePants, which racked up $1.5 billion in retail sales alone last year, Nickelodeon is positioning itself at the center of the technology-driven environment its audience inhabits. TurboNick, launched several weeks ago on a broadband video platform on Nick.com lets kids watch full-length episodes of their favorite Nick shows online, sometimes even before they air on cable. Through a deal with Verizon Wireless, Nick loyalists can download three-minute videos of Blue's Clues or other shows on their mom or dad's cell phones. Even the family...

Author: /time Magazine | Title: Marketing: Pitching to Kids | 8/7/2005 | See Source »

...LONG-TERM PLAN FOR AMAZON AND VIDEO DELIVERY? Over time it may be possible to do high-quality video delivery over the Internet. It's something we've thought about for years, but most people don't have the kind of bandwidth they'd need to get full-length motion pictures delivered...

Author: /time Magazine | Title: 10 Questions for Jeff Bezos | 7/24/2005 | See Source »

...back with a new album, “TP.3 Reloaded,” featuring the full-length video for his strange and oddly compelling epic of adultery gone wrong, “Trapped in the Closet...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: Singer Breaks Bizarre Ground | 7/15/2005 | See Source »

...literature, movies as high art. With his dense, dead-serious studies of God and death, love and sex, Bergman was dubbed the Shakespeare of the cinema. Two-week-long retrospectives of his films ran in commercial theaters around the country. Critics in the U.S., Britain, France and Sweden wrote full-length studies of his films. In 1960 Bergman graced the cover of TIME, and Simon & Schuster published a book of four of his screenplays--a rare tribute to a movie playwright. The tonier cocktail parties were rife with debates on the elusive, allusive meanings of such films as The Silence...

Author: /time Magazine | Title: Last Roar From a Legend | 7/5/2005 | See Source »

...financial angel of the American Ballet Theatre, to which she helped transplant the traditions of the great European troupes and which she helped forge into one of the world's best companies; in New York City. With Co-Director Oliver Smith, she maintained an eclectic repertory that mixed full-length classics with the works of innovative choreographers, including Jerome Robbins, Agnes de Mille and Antony Tudor. Chase nurtured great dancers like the Americans Nora Kaye and Cynthia Gregory, as well as the Soviet defectors Rudolf Nureyev, Natalia Makarova and Mikhail Baryshnikov...

Author: /time Magazine | Title: Milestones: Jan. 20, 1986 | 6/21/2005 | See Source »

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