Word: full-length
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This also happens to be the day that the duo will release their full-length debut album, "Love the Future," which has been in the works for more than four years. Definitely not a publicity tactic. The boys just want to play some good music, you cynics...
...festival's center of gravity, however, was far away from this kind of well-made dramaturgy. Three of the six full-length works presented (along with a program of 10-minute plays, one of the festival's signature events, and an evening of sketches showcasing the apprentice troupe) were experimental, non-narrative works. Wild Blessings: A Celebration of Wendell Berry, directed and co-written by artistic director Masterson, is a gracefully staged pastiche of the writings of bucolic Kentucky poet Wendell Berry, but is a little too high-minded and low-energy for my tastes. I had more fun with...
...skillfully explores the notion of identity, a crucial focal point in existentialist theater, while provoking a wide range of emotions from the audience.“The Birthday Party”, written in 1958, is one of Pinter’s most popular pieces, as well as his first full-length play. Like other existentialist plays, the story is secondary to evoking emotion and provoking an audience reaction.The play opens in the dining area of a boardinghouse in a coastal area of England, and immediately launches the audience into the dull lives of Petey and Meg, its proprietors. The entrance...
...Bromst,” the second full-length, commercially distributed album by Dan Deacon, should come with a Surgeon General’s Warning. Deacon’s noisy arrangements are sure to cause headaches, blow out eardrums, and send true indie-electronic fans into a blissful state of sensory overload. This bundle of noise is, surprisingly, the Baltimore-based musician’s most accessible album to date. After six years and numerous independently-released records, Deacon appears to have realized that a few tracks with vocals and clear pop melodies can increase an album’s popularity?...
...other people and being better: better extensions, more pirouettes, everything “more.” But to me a competition is like a gala. You show yourself, and you go out there, and you express yourself as you. That’s my biggest goal. Doing big full-length classical ballets, or not getting enough rehearsal for Balanchine, it’s almost more nerve-wrecking. But [in competition] you have a choice to be nervous or not to be, to compete with other people or not to. You always have control, and that’s important...