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...Hilles. Current chief Spaniola took over last December.THE EVOLUTIONUnder Spaniola and general manager Caitlin V. Crump ’10, Veritas has entered a period of rapid evolution. “This year, we’re really trying to focus on booking these bands in Cambridge and recording full-length albums,” Spaniola said.Another central architect of this expansion has been Powers. With five years of experience as a recording engineer, Powers came to Spaniola last fall interested in joining the label. He began running recording workshops, and met with Spaniola over the summer to discuss Veritas?...

Author: By Evan T. R. Rosenman, CRIMSON STAFF WRITER | Title: Veritas Aims for the Stars | 1/11/2009 | See Source »

...Hirano's sophomore album klo:yuri takes its cue from her minimalist full-length debut, 2006's LushRush, although she strips away much of the live instrumentation of her previous offering, relying more heavily on field recordings, synthetic effects and her own ethereal voice. These elements are blended through subtle orchestrations and seamless improvisations to create a sensual, cinematic sound - think Michael Nyman times Hans Zimmer to the power of Sigur...

Author: /time Magazine | Title: Dream Works | 1/1/2009 | See Source »

...reached an early maturity with his second full-length play, The Caretaker, which the Lord Chamberlain, the British censor, called "a piece of incoherence in the manner of Samuel Beckett" - unintentional high praise indeed. It's the tale of an old homeless man, Jenkins (played onstage and in the excellent 1963 film version by Donald Pleasance), who is brought to the home of the simple-minded Aston (Robert Shaw) and his conniving brother Mick (Alan Bates). Jenkins begins as the ratty interloper but becomes sympathetic by default as the brothers play their mind games. The plot fits the contours...

Author: /time Magazine | Title: The Pinter of Our Discontent | 12/25/2008 | See Source »

...communicative power of the cast and choreographer.The final number of the evening was a heart-stopping performance of “Steps in the Street” from Martha Graham’s classic anti-war piece “Chronicle.” The dancers, dressed in full-length black garments designed by Graham herself in 1936, proceeded on-stage with rigid shuffles that were accented by the absence of music. An eerie, militaristic theme suddenly blared out, signaling the dancers to cover the stage with repeated, mechanical stag leaps that were almost inhuman in their unfeeling execution...

Author: By Monica S. Liu, CONTRIBUTING WRITER | Title: No Missteps at World Premieres | 11/10/2008 | See Source »

Between Pauley’s constant road trips—she’s a self-professed “urban hiker,” who confesses to live out of a bookbag—she’s put out two full-length CDs. The most recent one, “Elijah Drop Your Gun,” was funded entirely by fans, including seven $1,000 donations...

Author: By Lingbo Li, CRIMSON STAFF WRITER | Title: Harvard Alum Dazzles in Show | 11/9/2008 | See Source »

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