Word: full
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Dates: during 2000-2009
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...Department of Culture could hire administrative staffers and full-time workers in addition to putting the unemployed of the arts sector back on their feet and working for a common purpose. Some might argue that financing artists should be low on our priority totem pole. But artists are taxpayers, rent-payers, and consumers—just like everyone else. This country has 100,000 nonprofit arts groups, which employ some six million people and contribute $167 billion to the economy per year. Of course, in the long term we could use more engineers and science teachers, but right...
...despite a Crimson roster full of talent, Penn remains the reigning Ivy co-champ, and will look to play the role of spoiler in Harvard’s season once again...
...addition, the report stated that the library system—composed of 73 disparate entities and 1,200 full-time employees—currently lacks a common organizational structure, and individual libraries are responsible for managing acquisitions...
Wodiczko relies predominantly on documentary in his work. Most of the dialogue he presents comes directly from veterans. This technique, in effect, positions Wodiczko in the role of translator—by projecting the veterans’ words and playing them at full volume, the artist focuses on, but does not profess to change, their messages. The choice Wodiczko makes to amplify the voices with loudspeakers and display the videos on public buildings is deliberate. His confrontational style unavoidably instills in the stories a larger political message that the veterans may not have originally intended...
...full immersion technique of this piece serves its function in the beginning, when it is simple and understated. However, as soon as the attack from the soldiers begins, the work veers into cliché. Wodiczko is at his best when he manipulates images and scale, instilling simple images with significance. His choice to project closed fists on a government building carries much more weight than the booming loudspeaker that often accompanies these images. Wodiczko shouts with all his strength to turn the audience’s attention to the horror of war, but the terrible images and stories he portrays...