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...Elyssa Jakim ’10—draws straight from the 1980 musical “Les Misérables,” particularly in the case of the peasants. The actors are mostly clad in shabby fringed shawls, diaphanous white blouses, snug black corsets, and long, full skirts. Danton’s attire, however, is decidedly anachronistic, for he shambles about like a lazy grad student in untucked button-down and dark-wash jeans...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: ‘Danton’ Drags Painfully Toward Death | 4/6/2010 | See Source »

...most frustrating part of the movie is the sheer number of major characters.  It is difficult to develop 15 personalities in less than two hours, especially when those hours are chock-full of fabulous shining armor and giant scorpions.  Often a supposedly major character will have an epiphany, only to be killed three minutes later...

Author: By Nicholas P. Castaneda, CONTRIBUTING WRITER | Title: Clash of the Titans | 4/6/2010 | See Source »

...Best Way to Make a Difference,” is going to address some of the most complicated and pressing issues facing our modern world. He will discuss the importance of charity work, which has taken a larger role in his life since he decided to start working full-time for the Bill & Melinda Gates Foundation...

Author: By Sophie T. Bearman, CONTRIBUTING WRITER | Title: Dropout to Speak at Harvard | 4/6/2010 | See Source »

...level of passion in Marling’s repertoire. The song begins tamely enough: at first, only a soft, yet urgent acoustic guitar and quiet, staccato strings support Marling’s voice as she sings such characteristically poetic lyrics as “And his heart was full of fire at the man he had become / And his soul was seldom higher with the falsities of fun.” But the song gradually intensifies, boasting, at its climax, full choral accompaniment, deep, forceful piano chords, and the dramatic rumble of orchestral percussion. With a switch to a major...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Laura Marling | 4/6/2010 | See Source »

Perhaps the most outstanding change Marling adds to her signature full-bodied vocals, melodic guitar, and poetic lyricism is the pronounced intensity which characterizes much of her new release. “Devil’s Spoke,” for example, opens the album with an impassioned interpretation of religious folk music. Slow, hypnotizing bass lines, deep male background vocals, and thumping drums endow a frantic banjo, as well as Marling’s voice and guitar, with a sheer power new to Marling’s work. And when she issues such commands as “Hold...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Laura Marling | 4/6/2010 | See Source »

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