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...Everybody Learns From Disaster,” with its galloping beat and Bon Jovi-esque lyrics, full of reckless abandon and an “us-against-the-world” mentality, proves to be the album’s best narrative, as Carrabba recalls the glories of a band on the move, reminiscing, “We stayed in the sun too long / Suffered a terrible burn / Now everybody learns from disaster / We stayed on the run too long / Hoping we’d never return.” While none of the ballads can measure...

Author: By Zachary N. Bernstein, CONTRIBUTING WRITER | Title: Dashboard Confessional | 11/13/2009 | See Source »

...Department of Culture could hire administrative staffers and full-time workers in addition to putting the unemployed of the arts sector back on their feet and working for a common purpose. Some might argue that financing artists should be low on our priority totem pole. But artists are taxpayers, rent-payers, and consumers—just like everyone else. This country has 100,000 nonprofit arts groups, which employ some six million people and contribute $167 billion to the economy per year. Of course, in the long term we could use more engineers and science teachers, but right...

Author: By Raúl A. Carrillo | Title: Jazz It Up | 11/13/2009 | See Source »

...despite a Crimson roster full of talent, Penn remains the reigning Ivy co-champ, and will look to play the role of spoiler in Harvard’s season once again...

Author: By Eric L. Michel, CRIMSON STAFF WRITER | Title: Crimson Plays for Payback, Ivy Title | 11/13/2009 | See Source »

...addition, the report stated that the library system—composed of 73 disparate entities and 1,200 full-time employees—currently lacks a common organizational structure, and individual libraries are responsible for managing acquisitions...

Author: By Elias J. Groll, Noah S. Rayman, and Elyssa A. L. Spitzer, CRIMSON STAFF WRITERS | Title: Library System May See Changes | 11/13/2009 | See Source »

Wodiczko relies predominantly on documentary in his work. Most of the dialogue he presents comes directly from veterans. This technique, in effect, positions Wodiczko in the role of translator—by projecting the veterans’ words and playing them at full volume, the artist focuses on, but does not profess to change, their messages. The choice Wodiczko makes to amplify the voices with loudspeakers and display the videos on public buildings is deliberate. His confrontational style unavoidably instills in the stories a larger political message that the veterans may not have originally intended...

Author: By Rebecca J. Levitan, CRIMSON STAFF WRITER | Title: Wodiczko Installation Plays Veterans’ Stories at Full Volume | 11/13/2009 | See Source »

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