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...crisis is a good thing. having hit bottom, Americans have a solid foundation from which to leap upward. After I graduated from college in 1992, a car accident claimed my lower left leg. I chose full-time Paralympic competition in cycling and the Ironman triathlon for the next 15 years. Without the initial physical and emotional pain - followed by years of financial hardship - I wouldn't now be enjoying a new career as a professional speaker. True contentment comes from applying a solid work ethic toward our passions, not from the wealth this also happens to create. Paul Martin, Natick...

Author: /time Magazine | Title: Inbox | 4/27/2009 | See Source »

...crisis is a good thing. having hit bottom, Americans have a solid foundation from which to leap upward. After I graduated from college in 1992, a car accident claimed my lower left leg. I chose full-time Paralympic competition in cycling and the Ironman triathlon for the next 15 years. Without the initial physical and emotional pain - followed by years of financial hardship - I wouldn't now be enjoying a new career as a professional speaker. True contentment comes from applying a solid work ethic toward our passions. Paul Martin, NATICK, MASS...

Author: /time Magazine | Title: On the Edge | 4/27/2009 | See Source »

...studied law and at the age of 30 was offered a professorship at what is now Tartu University in Estonia. Luckily for us, he had been inspired by an exhibition of French Impressionists the year before. He turned down the university job and moved to Germany to study painting full time. "Kandinsky," a major retrospective at Paris' Pompidou Center until Aug. 10 and then at the Guggenheim in New York City from Sept. 18, tracks his journey over the ensuing decades, both geographically and stylistically. Drawn to centers of the avant-garde and occasionally swept off course by the grim...

Author: /time Magazine | Title: Kandinsky: A Bright Future, Once | 4/27/2009 | See Source »

Much of Kandinsky's early work drew on the folk art he encountered in Germany and in Russia. The works depict an ideal premodern Russia full of riders, onion domes and walled towns. But even in these first paintings, bright colors were used for effect, not naturalism - trees could be red, hills and horses blue. Pure color would become the central focus of his best works, a focus he pondered in his 1911 manifesto of abstraction, Concerning the Spiritual in Art. Art, he wrote in the book, comes from within, from "inner necessity," and colors and shapes speak to people...

Author: /time Magazine | Title: Kandinsky: A Bright Future, Once | 4/27/2009 | See Source »

Kandinsky didn't paint much during the war years, but in 1921 he was asked to join the staff of the forward-looking Bauhaus art school in Germany, and the chance to teach turned his creative light up full again. His theories about pure form and color became student exercises; this was when he started painting his signature hard-edged abstracts: bright, lighthearted, with their own internal logic. Black lines, now severely clear-cut, are a skeleton for vividly colored shapes on a pale background. New motifs appear: jagged saw teeth, rainbows, triangles, circles. Though none of these canvases have...

Author: /time Magazine | Title: Kandinsky: A Bright Future, Once | 4/27/2009 | See Source »

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