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Even without much support from Black CAST, some Black directors and actors held their own this year. Tim Benston '89 directed a high-profile production of Charles Fuller's Pulitzer Prizewinning A Soldier's Play on the coveted stage of the Agassiz Theatre. And Walker directed On Being Young, a Woman, and Black: The Works of Marita Bonner Occomy ['22], also at the Agassiz...

Author: By Gary L. Susman, | Title: Separate But Equal on the Harvard Stage | 6/6/1988 | See Source »

...Misha would work right alongside us," recalls Carole Fuller, a procurement clerk-typist for the Army who late in life discovered a passion for chamber music and became a volunteer for the orchestra. "We'd work until 2 or 3 or 4 in the morning sending out tickets. Sometimes Misha got so tired he'd fall asleep with his head on a desk...

Author: /time Magazine | Title: In Michigan: The Music Fades | 5/2/1988 | See Source »

Written by Charles Fuller...

Author: By Melanie R. Williams, | Title: Top Brass | 4/29/1988 | See Source »

DIRECTOR Timothy Benston reinstated the draft and transformed 12 ordinary Harvard students into enlisted men when the group appeared in Charles Fuller's A Soldier's Play at the Agassiz Theatre last weekend...

Author: By Melanie R. Williams, | Title: Top Brass | 4/29/1988 | See Source »

Predock's own favorite residential work is the Fuller House, a more dramatic faux village finished two years ago in the high Sonoran Desert near Phoenix. It is more determinedly "spiritual," portentous, even sci-fi. "I like haunted, charged spaces," Predock explains. Inside is a polished black granite fountain from which water runs in a narrow, razor-straight canal outdoors, across a plaza and into a circular pool. There is a pavilion for watching sunrises at the east end, another for staring at sunsets in the west. The study is a stepped pyramid of volcanic stone, topped with a skylight...

Author: /time Magazine | Title: Design: An Architect for the New Age | 4/11/1988 | See Source »

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