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...SAMUEL FULLER took the crew of his picture, The Big Red One, to Israel because the Judean Hills today look like the hills of Sicily during World War II. The Israelis cooperated. After all, an American film crew spends a lot of money and hires a lot of extras. Fuller needed extras to play Nazis, foils for his heroes, five musketeers who are members of the U. S. Army's First Infantry Division--the big red one. The Israeli extras unflinchingly donned the Nazi uniforms and marched beside panzers into the desert sun, prepared to die on cue.Fuller...

Author: By David Frankel, | Title: The Fine Art of Survival | 9/15/1980 | See Source »

...that a lesser actor would choke on. The paternal affection he bears his men never conflicts with his silent passion for killing the enemy and getting through the war alive. Hamill and the others are also nearly perfect--Carradine stands out because he has all the best lines--and Fuller leaves us wishing we knew more about his young heroes...

Author: By David Frankel, | Title: The Fine Art of Survival | 9/10/1980 | See Source »

...SAMUEL FULLER has been making war movies since the year the Second World War ended. In Hollywood, he became know as the King of the B's, a patriotic writer/director with a tin ear for dialogue but a sharp eye for combat detail. In 1950, he made America's first Korean War movie, The Steel Helmet, a popular cult film that was "Shot in 12 days. cost, $104,000. Locations: Griffith Park....a cardboard tank was painted, a pole slammed into its face for a gun....Twice the goddam cardboard tank fell on its face...

Author: By David Frankel, | Title: The Fine Art of Survival | 9/10/1980 | See Source »

...Fuller's hardline anti-Commie stand lost favor after the McCarthy era. For nearly two decades, he has been noisily chomping his ever-present cigar in frustration, desperate to make the war film he always wanted to make, to prove that he had survived the roller-coaster life in Hollywood as well as the battles in Europe...

Author: By David Frankel, | Title: The Fine Art of Survival | 9/10/1980 | See Source »

...best "Vietnam" film we have. The Americans who fought in Vietnam--more than any other war-quickly realized they were not fighting to win but to stay alive. Battle was no "John Wayne wet-dream," as Michael Herr called it in his Vietnam account, Dispatches. Even Fuller's narrator comments that the army doesn't award medals for protecting civilians but for killing Germans; in Vietnam, a high bodycount signalled victory. It is this attitude to survival that enables The Big Red One to bridge the gap between America's most glorious and most dishonorable wars...

Author: By David Frankel, | Title: The Fine Art of Survival | 9/10/1980 | See Source »

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