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...painted the 31-ft. by 16-ft. canvas to hang in a 200-ft.-high geodesic dome designed by R. Buckminster Fuller for Montreal's Expo '67. But Guiding Red, Abstract Expressionist Helen Frankenthaler's biggest painting, has been rolled up in a warehouse ever since. Last week the work found a suitably grand setting: a 50-ft.-tall marble wall on the mezzanine of the south tower of Manhattan's 110-story World Trade Center. Why the title? Explains Frankenthaler: "I was guiding the red and j the red was guiding...

Author: /time Magazine | Title: People, Apr. 25, 1977 | 4/25/1977 | See Source »

...Nothing kills one of those infamous Cambridge cocktail parties faster than a too-complete fatalism. But this magazine starting with a litany of all the terrible things wrong with the world quickly moves on to ice-breaking tidbits like the sayings of a Japanese zen master or a Bucky-Fuller-talking -blues-in-gobbledlygook or the parallels between our war on cancer and Vietnam, "our nation's last great effort in futility...

Author: By Diana R. Laing, | Title: Checkout Counter Spiritualism | 4/21/1977 | See Source »

Perhaps some of you will understand Buckminster Fuller's lead article, "Mistake Mystique," but it mystified me. Phrases like "omni-accommodative generalized principles" or "the progressive complex of cosmic episodes of scenario universe" throw me into the same haze as pretentious science-fiction. When, after the geodesic rhetoric, we're told of synergetics and the positive value of mistakes, you may feel like adding the Robert Louis Stevenson-ism: "the world is so full of a number of things, I'm sure we all should be as happy as kings...

Author: By Diana R. Laing, | Title: Checkout Counter Spiritualism | 4/21/1977 | See Source »

...quarters, a huge Gothic pile. Dede can squash mountains as though they were bugs, but she has a doughty foe in a widowed moneybags named Joanne Remington (Rosemary Murphy), who believes that when money talks, Dede should shut up. Joanne's plan is to install a codirector, Shirley Fuller (Jan Farrand), who will siphon off Dede's authority...

Author: /time Magazine | Title: The Theater: Women Bloody Women | 4/18/1977 | See Source »

...when most dome homes were funky, patched-up symbols of the counterculture, the average buyer is relatively well-to-do and well educated. Says Geodesic Structures' Peter Tobia: "The people we're getting today are the presold market that knows about Bucky Fuller. We're building a basically middle, upper-middle-class American housing unit that is a natural and intelligent alternative to expensive and inefficient housing...

Author: /time Magazine | Title: Living: HOME SWEET DOME | 3/14/1977 | See Source »

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