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Joan M. Fuchs of North House, William C. Fuller Jr. of Kirkland House, Catherine A. Guyton of Quincy House, and Samuel I. Sheffler of Mather House have been awarded Sheldon Fellowships for a year of world-wide travel...

Author: NO WRITER ATTRIBUTED | Title: FELLOWSHIPS | 3/26/1973 | See Source »

...thing often evolved naturally and novelly when director Ed Zwick and the actors tried them out. The rape scene has never been in the play before, and shaping and re-shaping--as in making use of the Loeb's opulent facilities to stage this play symmetrically--has produced a fuller involvement for all the people working on the show...

Author: By Richard Turner, | Title: Slouching Toward Jerusalem | 3/22/1973 | See Source »

...ramshackle stage is enough to erase any slick overtones from the beginning, and here it is used to the best advantage by Dave Fuller's manic sets. Murray's apartment has the disarray of a closet overflowing with athletic equipment. The occupant of this holocaust is played by Bill Schley, who coaxed his Murray from a slow start into a performance of unassuming ease: this is fitting in a character that can tend to brash self-righteousness. Walter Murphy, a fifteen-year-old from an acting program at Phillips Brooks House, plays Nick (who, at Murray's urging, calls himself...

Author: By Richard Turner, | Title: Clowning Around | 3/15/1973 | See Source »

...Edith Marshall's superb directing were more than enough compensation. It would have been hard to improve on Kerry McCarthy as the title feminist, Therese (when she changes her sex she becomes Tiresias), staring in astonishment as her breasts turned into green and blue balloons and floated away. Thomas Fuller matched her as her husband, demanding his dinner ("he only thinks about love," she observed) or showing off the 40,049 babies he had made by himself in a single day, and Harris Saunders, as the Journalist, twirled his umbrella suavely as he threatened to expose his father. Best...

Author: By Seth M. Kupferberg, | Title: Make Babies Now | 3/14/1973 | See Source »

Freeland also stood out in the curtainraiser, a dull concert version of Purcell's Indian Queen, because he sang English instead of whatever tenors are singing when they roll their r's like guttural hyenas on second-rate recordings of Handel oratorios. Fuller and McCarthy also sang well; Lise Landis, the clown Apollinaire described in one of his less inspired couplets as "Zanzibar's Monsieur Lacouf/Who died and died again without saying ouf," joined Peter Kellogg in an entr'acte dance that was both comic and lyrical...

Author: By Seth M. Kupferberg, | Title: Make Babies Now | 3/14/1973 | See Source »

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