Word: fullness
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...future improvement. Her final announcement—that Harvard had hired Lisa M. Coleman as its first Chief Diversity Officer—merits our praise. Without the oversight the position provides, the need to ensure diversity may have fallen by the wayside. For the position to reach its full potential, University Hall should endow it with great responsibility...
...statements of the individuals highlighted in the exhibit displayed a diverse understanding of feminism. Dershowitz wrote that gender equality has always been self-evident to him, and McCarthy wrote that he believes in the “radical” notion that women are full, free, and equal human beings. Gregory B. Johnston ’13 wrote that the world cannot afford to lose half its brilliant minds so the other half can feel more powerful. Shani Boianjiu ’11, co-president of RUS, wrote that feminism is the new “it” girl...
...Fielding, who looks to the audience like a high school senior doing his internship at a Wall Street firm, but whom the film helpfully tells us is actually a stock broker there. Painted from the start as “the good guy” in a depraved world full of cut-throats and egotists, Fielding is dating the lovely Beth Vest (Alexis Bledel of “Gilmore Girls” and “Sisterhood of the Traveling Pants”). Bryan Greenberg (“One Tree Hill”) is Daniel Seaver, the nerdy yet hunky...
Common Spaces: Currier is chock full of secret rooms, comfy chairs, and plenty of places to lounge. Behind the dining hall is the Matthew Strominger Room; off the main hallway are the Bingham Living Room, the Poker Room, and the Treehouse, all of which can be reserved for events with very little hassle. Ping pong, air hockey, and pool are frequently played on the tables outside the d-hall. Many suites boast kitchens, and we must not forget the Fishbowl, a large multi-purpose room right at the entrance...
...sprawling, deliberately worn set takes full advantage of the Loeb Ex’s black box space. Staging and lighting are mostly unobtrusive, allowing the actors to carry the play. Sound design plays a larger role—piano interludes complement the household’s cultural conflicts, while a battered turntable that sticks frequently punctuates the play’s powerful final moments. Overall, the production is fairly sparse, which accentuates the dreary gloom of the Harrington family’s relationships and takes the edge off some of the potential melodrama...