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Word: fulls (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...fundamental question whether the individual exists for society or society for the individual. On this question, the American commitment would seem to be clear, that the individual is not primarily to be regarded as a resource of the state but the state as a means for assuring the full flowering of the individual . . . There are already signs that many parents are disinclined to bring up their children as manpower resources...

Author: /time Magazine | Title: Education: An Emerging Concern | 12/14/1959 | See Source »

...Judge Barnaby (Matador) Conrad declared: "I liked it until Kerouac got the 'smart jacks'-what I send my child to bed for doing." But Producers Frank and Leslie, now busily showing the film to distributors, are confident that it will soon thumb a ride with a glossy, full-length Hollywood feature, carry its cryptic message of the Beats to the neighborhood theater-and even the village squares...

Author: /time Magazine | Title: ENDSVILLE: Zen-Hur | 12/14/1959 | See Source »

...mamma's boy Communist up against a tough, cynical but gallant revolutionary was shot through with Marxist analysis. With such qualities Jean-Paul Sartre's Crime of Passion seemed an unlikely play for TV. But viewers in the New York area saw it last week, in a full-length and absorbing production, well acted by a cast that included Claude Dauphin and Betsy von Furstenberg...

Author: /time Magazine | Title: Show Business: Waking Them Up at Night | 12/14/1959 | See Source »

...both apologized. Mickey was supposed to reappear on Paar's show for the sake of good will, but he changed his mind. Paar gleefully announced his replacement: Moppet Star Evelyn (Eloise) Rudie, nine years old and ten inches shorter than Mickey's 5 ft. 3. Full of good taste. Paar had told his audience earlier that Mickey threatened to sock him on the nose, but Paar took flight because "I don't want to get hit in the knees...

Author: /time Magazine | Title: HOLLYWOOD: Slipped Mickey | 12/14/1959 | See Source »

Undramatic though the play is, the final trouble lies less with subject matter than with form. Had Silent Night been not a full play but a longish one-acter, it might have had a special appeal. It could, just long and lyrically enough, have chronicled a meeting and sustained a mood-and with no tossed-in newlyweds, no shaky final scene. Unfortunately, as a one-acter it would not fit the Broadway scheme of things, though as a full-length play it scarcely fits it either...

Author: /time Magazine | Title: The Theater: New Plays on Broadway, Dec. 14, 1959 | 12/14/1959 | See Source »

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