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Word: funke (lookup in dictionary) (lookup stats)
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Usage:

...practically smell the blue rinse in his hair; the pressing of a tie, the caressing of a whisky glass, the sniffing of a wine cork become incantatory gestures. They are supposed to ward off the new tawdriness of the gambling casinos, which is replacing the old salt-water-taffy funk of the boardwalk town. While the wrecking balls swing all around him, Lou complains that even the ocean isn't what it used...

Author: /time Magazine | Title: Cinema: Boardwalk | 4/6/1981 | See Source »

...people praised Black and Blue when it came out in 1976, and the funk-disco song "Hot Stuff" from that Ip has not improved with age. Along with "Shattered," which opens up the first side, and "Dance, Pt. 2." "Hot Stuff" does however provide a clear picture of the New York the Rolling Stones know. It is a town of confusion and fast, undirected movement, which can suck you in for a lifetime if you don't resist its pull...

Author: By Paul M. Barrett, | Title: It's Only Rock and Roll | 4/3/1981 | See Source »

When they poke fun at Hollywood (a tough target!) in "Glamor Profession," they debase their argument by setting the lyrics to L.A.-mellow music. And this isn't clever melodic satire, because "My Rival" is much of the same, setting funk back a few decades. The vocal tracks removed, "My Rival" could play over airport sound systems...

Author: By David M. Handelman, | Title: No Mettle | 1/26/1981 | See Source »

Harvard basketball is in the doldrums, drifting helplessly in an early season funk. With its best (only?) long-range shooter bench-ridden with two dislocated fingers, the Crimson couldn't hit from the outside, couldn't penetrate inside--in short, couldn't score...

Author: By Jeffrey R. Toobin, | Title: Holy Cross Crusade Converts Hoopsters, 72-46 | 12/12/1980 | See Source »

...might think that side one is just some variations on a repetitive theme. Second listening might lend the same impression. Eventually "Cross-eyed and Painless" (the first single to be released) and "The Great Curve" emerge as the kind of songs Byrne was looking for: a driving variation of funk with lyrics almost as entertaining as those of Parliament-- "The world moves on a woman's hips, the world moves and it swivels and bops." Unfortunately, "Born Under Punches," like "Seen and Not Seen" on side two, is a victim of the risk that Byrne took: the combination doesn...

Author: By Martin B. Schwimmer, | Title: Beating Heads | 11/26/1980 | See Source »

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