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Word: funke (lookup in dictionary) (lookup stats)
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Fortunately, this album has not followed the path of the Bowie-Eno collaborations, which allowed Eno's synthesizers, loops and feedbacks to dictate the tone. Instead, the Heads have chosen their own tone, and the tone is funk. People knew things were up with the band when they toured this summer with Parliament-Funkadelic's horn section, and then it was announced that Byrne and Eno would release an album based on African tribal songs called My Life In The Bush Of Ghosts (whose release has since been blocked by legal difficulties...

Author: By Martin B. Schwimmer, | Title: Beating Heads | 11/26/1980 | See Source »

...songs were recorded in a style similar to that used by funk groups and reggae dubbing: a core band records basic all-purpose instrumentals (and on this album the music is really basic--one chord rhythms, no choruses, bridges, passages) and then later on lyrics and perhaps a solo instrument are dubbed in. Too bad that Eno couldn't leave well enough alone and had to tinker with the sound more. On "Houses in Motion" he makes a guitar sound like an Arab calling the faithful to pray: a nice trick but an unnecessary diversion. At least four recording processes...

Author: By Martin B. Schwimmer, | Title: Beating Heads | 11/26/1980 | See Source »

...declared Eliot Teltscher, the world's tenth-ranked tennis pro, "is no way to run a tournament-in China or anywhere else." Other players at the Marlboro Grand Prix Tennis Classic in Canton, the first professional athletic competition in the People's Republic, were in a similar funk. "I didn't eat for the first two days," insisted Tennessean Terry Moor. But the most celebrated participant took it all in stride. In fact, Jimmy Connors hardly seemed to notice he was in China at all. He spent the five days of his visit playing and practicing, sleeping...

Author: /time Magazine | Title: People, Nov. 10, 1980 | 11/10/1980 | See Source »

...McDonald who wrote the band's first major hit in two years, Takin ' It to the Streets, and helped change the Doobies from journeymen to super stars. McDonald's sprightly, airy tunes telescoped neatly with Templeman's cushy production. The results had hints of funk and disco, discreet jazz inflections and uninsistent horn breaks, and sounded like contemporary nightclub music. McDonald, who professes vast admiration for R & B luminaries like Marvin Gaye and Sam and Dave as well as tunesmiths like Burt Bachrach, says, "I like to write hits. My biggest reason for writing a song...

Author: /time Magazine | Title: Music: Dancing down the Middle | 11/10/1980 | See Source »

...theater in search of a Deborah Harry concert and instead found a tongue-in-chic study of a man very much like their least favorite neighbor. Other moviegoers, who may not know Blondie from Dagwood, are advised to take the leap onto the hard rocks of New Jersey funk. -By Richard Corliss

Author: /time Magazine | Title: Cinema: Black Milk | 10/20/1980 | See Source »

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