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...Edited by James M. Robinson and John B. Cobb Jr. of the Southern California School of Theology, the book contains essays on hermeneutic by Ernst Fuchs of Marburg and Gerhard Ebeling of Zurich. Their contributions are analyzed by three topflight U.S. thinkers: Amos Wilder of Harvard Divinity School, Robert Funk of Drew, and John Dillen-berger of San Francisco Theological Seminary...

Author: /time Magazine | Title: Theology: An Existential Way Of Reading the Bible | 5/22/1964 | See Source »

Cultural Limitations. In his analysis of hermeneutic, Dillenberger argues that the abstract terminology employed by the Germans is too far removed from the language of daily life. Funk feels that the Marburgers sometimes fail to see the relativity of their own position as interpreters. Far from being a philosophical absolute, existentialism is itself a product of history and thus subject to the limitations of language. Theologians therefore must remember that their own expression of the existential questions may be quite as limited as was St. Paul's. Wilder, who is a brother of Playwright Thornton, criticizes Fuchs...

Author: /time Magazine | Title: Theology: An Existential Way Of Reading the Bible | 5/22/1964 | See Source »

...WILLIAM FUNK Harvard College Cambridge, Mass...

Author: /time Magazine | Title: Letters: May 8, 1964 | 5/8/1964 | See Source »

Monk was making a small but admired inroad into the "funk" and "soul" movements that had superseded the "cool." Funk was a deeper reach into Negro culture than jazz had taken before, a restatement of church music and African rhythms, but its motive was the same as bop's?finding something that white musicians had not taken over and, if possible, something they would sound wrong playing...

Author: /time Magazine | Title: Jazz: The Loneliest Monk | 2/28/1964 | See Source »

Take Colonel Bliss (Eddie Albert), a brilliant staff officer who cracks up under the strain of command. After a few weeks under Peck's care he-come to think of it, Colonel Bliss commits suicide. But take Little Jim (Bobby Darin), a sad sack in a flat funk until Peck shoots him full of s.p. For about ten minutes Bobby lies on a cot making faces like Harpo Marx, and then zowie! he's cured. He flies back to his unit, takes off on a bombing mission, runs into flak and- Well, who cares about the patients when...

Author: /time Magazine | Title: Cinema: Nervous in the Service | 2/28/1964 | See Source »

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