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Word: funke (lookup in dictionary) (lookup stats)
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...finish—thumped out a series of chromatic arpeggios that got the audience pumping. But the peak was naturally Frankie’s sharp and tuneful playing that served to spike the cocktail and got the audience dancing. Not letting the pace lag, they moved into the universal funk favorite, Herbie Hancock’s “Chameleon.” Here the other half of the rhythm section came to the fore. The bassist punched out the pentatonic riff in swift staccato beats; the guitarist wailed out a crackling solo that was perfectly punctuated by the pianist?...

Author: By Evan Lushing, CONTRIBUTING WRITER | Title: Frankie V: One Smooth Dude | 2/15/2002 | See Source »

With that noise, the Harvard men’s hockey team broke out of its post-exam funk...

Author: By Jon PAUL Morosi, CRIMSON STAFF WRITER | Title: Jonnie on the Spot: Harvard Returns to Form | 2/11/2002 | See Source »

...jazz guitarist’s Überjam—an appropriate admission since the album has all the trappings of an experimental drug-fueled trip. With Hindu-themed artwork, haunting strains of sitars and a profusion of distorted, screeching guitars, Scofield’s latest jazz-funk fusion feels much like an experimental album from the ’70s when Miles Davis brought fusion into popular consciousness...

Author: By Crimson STAFF Writers, CRIMSON STAFF WRITERS | Title: New Music | 2/1/2002 | See Source »

...this album, Scofield’s grand experiment is to introduce a second guitar, complementing his own with a rhythm guitarist. The fusion combines funk with electronica, eastern influences and hip-hop into the scope of the album...

Author: By Crimson STAFF Writers, CRIMSON STAFF WRITERS | Title: New Music | 2/1/2002 | See Source »

...Tomorrow Land,” are when he slows down his fingers and mellows his sentiments. Eclectic as the day is long and with virtuosity to spare, Überjam is yet another noteworthy marker on Scofield’s journey from jazz to funk to jazz and back again...

Author: By Crimson STAFF Writers, CRIMSON STAFF WRITERS | Title: New Music | 2/1/2002 | See Source »

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