Word: funking
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Dates: during 2000-2009
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...Zealand’s formerly fourth-most famous guitar-based digi-bongo a capella-rap-funk-comedy folk duo have finally put out their first full-length album, and though it’s all laughs, it’s nothing new from Bret and Jemaine. For fans of their hit TV show “Flight of the Conchords,” their eponymous debut album will likely just be sort of a season-in-song disc, but for those unfamiliar with the HBO series the laughs might be a little out of context. With the new season right...
...more palatable. Co-ed quintet The Heavy, from the suburbs of Bath, takes a page from this book on their new album “Great Vengeance and Furious Fire,” blending their sexy British sound with one steeped in the rich American heirlooms of blues and funk. With a mixture of gospel-infused vocals, R&B beats, and garage rock sounds, they manage to simultaneously call Sonic Youth and Prince to mind, swaying between being more heavily influenced by one or the other throughout the album. Although the result is not always pure beauty...
...more problematic obstacle to the band’s success, is the drastic difference between their recorded material and the more organic, less polished quality of their live show. The degree to which their MySpace fans will be willing to embrace a crossover from highly produced studio project to funk jam band remains to be seen...
...Who’s Gonna Save My Soul” is basically a mellow reprise of “Crazy,” with Cee-Lo wearily belting the titular question. Excellent album opener “Charity Case” adds female background vocals and a delicate funk beat to Cee-Lo’s admission of loneliness. “Even my shadow leaves me all alone at night,” he sings. The depressive song isn’t as brutal as 2006’s suicidal “Just A Thought...
...musical form that burst into popular consciousness with the Sugarhill Gang and Run-D.M.C. He analyzes how the violence and rage of NWA’s “Straight Outta Compton” during the crack epidemic changed hip-hop dramatically, leading to the rise of G-funk and East Coast-West Coast rivalries, and ending with hip-hop selling to mostly white audiences. It’s an important story to tell, and Reeves enriches it with humorous, shocking, and awe-inspiring stories about the lives of those who carried the newborn hip-hop baby through...