Word: funniest
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Dates: during 1990-1999
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Campbell has known Bush since the early 1970s. A man who can spin some of the funniest shaggy-dog stories ever heard around a cracker barrel, he has the shoes-up-on-the-coffee-table style that the President likes. More important for a campaigner, he's a relaxed and confident speaker in public...
...first photograph in the catalog of "The West as America: Reinterpreting Images of the Frontier, 1820-1920," the large and deeply interesting show now on view at Washington's National Museum of American Art, has to be one of the funniest ever seen in a museum. It is of Charles Schreyvogel, a turn-of-the- century Wild West illustrator, painting in the open air. His subject crouches alertly before him: a cowboy pointing a six-gun. They are on the flat roof of an apartment building in Hoboken, N.J. Such was the "authentic West" of Schreyvogel and other painters like...
...first collage painting, Celebes, 1921, is one of his funniest. It started life as an anthropological photo of an African corn bin. This reminded Ernst of an elephant. Then he saw a swollen human figure in it -- a failed behemoth, which he associated with the absurd and nasty king of Alfred Jarry's proto-Surrealist comedy, Ubu Roi. Add to that a dirty children's rhyme he remembered from his school days, which in English would have been a limerick; it concerned an elephant in Sumatra that tried to, well, connect with its grandmother. The naked woman in the foreground...
...life, as in the collage-narrative The Dream of a Little Girl Who Wanted to Become a Nun, 1929-30. In a secular age with its "therapeutic" religions, we find it hard to imagine the power of blasphemy to the Surrealists. All the same, Ernst came up with the funniest antireligious joke in modern art -- the famous (and, alas, rarely seen) parody of a Renaissance Madonna, in which Mary is whaling Jesus on his bare bottom before a trio of witnesses, Andre Breton, Paul Eluard and Ernst himself...
...Gentlemen of Verona, edited by Wu to a manageable hour and one half, is saved by fine direction and an excellent cast. It is neither Shakespeare's best, funniest nor most profound play, and it is very predictable. But this production of The Two Gentlemen of Verona highlights those moments which are worth seeing...