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...country bumpkin crossed with a New England preppie. Attired in billowy corduroy knickers and some kind of felt pot pulled over his wire-rimmed spectacles, he lopes through his role with slack-mouthed, loose-limbed, knock-kneed charm. His throaty voice and lascivious gestures make "Pearls" one of the funniest song and mimes in the show. Launce and his fellow servant Speed (Jonathan Alex Prince) run through some congenial duets on the way to the ale house, and Speed makes up for his raspy voice with quick foot work. Apparently, Speed's affinity for fruit is supposed to be comic...

Author: By Anemona Hartocollis, | Title: Cuanto Me Gusta | 5/11/1977 | See Source »

Chase called the ski tournament "one of the funniest things ever done on television, although legally it wasn't proper." The segment showed a ski tournament in which Longet, who was convicted of manslaughter in the killing of skier Spider Sabich, is supposedly shooting skiers as they race down a mountain...

Author: By Marc M. Sadowsky, | Title: Chevy Chase Holds Court At Ames | 5/6/1977 | See Source »

...Reginald (Paul Jackel). In many ways, this role is the juiciest in the operetta; as a fleshly man who merely feigns ethereality, Reginald is the butt of most of Gilbert's jokes, and as the frustrated lover of the simple maiden Patience, he gets to sing many of his funniest lyrics. Jackel is far from incompetent: he has a loud, if not operatic, voice, ample stage presence and a talent for looking discomfited...

Author: By Julia M. Klein, | Title: More Functional Than Aesthetic | 4/26/1977 | See Source »

...Queen of Comedy, Carol Burnett, is the funniest...

Author: /time Magazine | Title: Letters, Apr. 25, 1977 | 4/25/1977 | See Source »

...perfect here, capturing the petulance of the artist whose creative instincts have gone awry. In one scene, Burstyn unintentionally speaks in Gielgud's voice. In another, Warner's brother, a noted footballer, jogs through a bedroom, where Stritch and Bogarde are conversing, on his way to the bathroom. The funniest of these sequences occurs between Burstyn and Warner. As they sit on a park bench together, Warner exclaims with surprise, "I've got an erection." Burstyn, who has been trying to seduce him all film, is pleased. "It's not mine," he insists. "Then whose is it?" taunts Bogarde...

Author: By Julia M. Klein, | Title: Through a Glass, Bluely | 4/20/1977 | See Source »

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