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...Five-Day Lover (Kingsley International), for about an hour and a half, is the year's funniest movie, a pouf of glittering froth from France. And then, as though the camera were slowly drawing back, the context of the comedy widens and the laughter dies in the spectator's belly as he perceives that the froth is bubbling from the lips of a corpse, from the sores of a rotting civilization. The effect is disturbing and profound. In his third feature film Director Philippe de Broca (The Love Game, The Joker) emerges as a narrow but brilliant comic...

Author: /time Magazine | Title: Cinema: Laughter Through Screams | 11/24/1961 | See Source »

...Succeed in Business Without Really Trying is put together as precisely as a fine watch by the jeweler of U.S. musicomedy jokesmiths, Abe Burrows. As the up-from-window-washer hero, Robert Morse is the funniest ploy-boy in the history of officemanship...

Author: /time Magazine | Title: Cinema: Nov. 17, 1961 | 11/17/1961 | See Source »

Seeing The Devil's Eye makes one wish Ingmar Bergman would stop playing with his damn symbols for a while and just tell a story. If he had been willing to do so, this film might have been the funniest comedy of the year. As it stands, it is merely a confused tale, that never says enough humorously or seriously to make it worth the bother...

Author: By J. MICHAEL Crichton, | Title: The Devil's Eye | 11/14/1961 | See Source »

...dreams of being another Fred Astaire; Montand manages a brilliant satiric evocation of second-rate Astaire-the outflung white-gloved hands (without the gloves), the staccato rhythms tapped out on a walking stick like a hollow third leg, and the agitated centipede footwork interrupted with dazzling toothpasty smiles. The funniest number casts Montand as a feverish symphony conductor who snaps his baton, his Beethoven concert and his career in two to waltz off with a girl who cares only for waltzes. In sentimental Parisian songs, Montand runs the risk of sounding like a younger Chevalier, but winds through...

Author: /time Magazine | Title: Theater: French Eros | 11/3/1961 | See Source »

These neurotic goof-offs are more amusing than they have any right to be-but the one who should be the funniest of them all is less amusing than he ought to be. The fault in Playwright Gethers' farce lies in its ill-conceived hero, a hulking, preposterously implausible Greek cook named Tomas Agganis (Bill Travers). Actor Travers tries manfully to get a tongue-hold on his role, but what comes out is Basic Choctaw compounded with his Wee Geordie burr. A boyhood brush with the Greek constabulary has left Agganis with the disconcerting habit of kayoing...

Author: /time Magazine | Title: Theater: Silly Psychos | 10/27/1961 | See Source »

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