Search Details

Word: funnyman (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...effort to collect back taxes from Banker Charles Edwin Mitchell, was now abandoning criminal prosecution in income tax cases, would henceforth stick to civil action. ¶ Of all the many millionaires who lost fortunes in the 1929 stockmarket crash none has been more eager to admit it than Funnyman Eddie Cantor. In 20 days he lost the $2,000,000 that it had taken him 20 years to save. Recouping in part by sales of 'his book Caught Short, he described himself as ''not in the market but under it.'' Eddie Cantor's steepest...

Author: /time Magazine | Title: Business: Downtown | 8/21/1933 | See Source »

...same speaking program as Dean Virginia Gildersleeve of Barnard College, at a W. O. N. P. R. luncheon in Manhattan was Funnyman Jimmy ("Schnozzle") Durante, To make sure he "wouldn't say nuttin outa line," Durante had prepared his speech in advance. Excerpt: "I simply drove into the subject and when it comes to droving into a subject a Durante admits no peers. I'm not talkin' at this luncheon from hearsay or hunger, but because I was asked to talk. While drovin' and delvin' into de subject of Prohibition, I digs up plenty...

Author: /time Magazine | Title: People, May 22, 1933 | 5/22/1933 | See Source »

...cinemaddicts unfamiliar with Hollywood fashions, it may seem strange that so sad a picture as The White Sister should have been entrusted for adaptation to Funnyman Donald Ogden Stewart. It is not Stewart's writing which weakens the emotional quality of The White Sister. The picture's mood hovers between the realistic and the romantic; at times, when actionless dialog makes it stand still, it has no mood at all. A performance by Helen Hayes makes almost any picture worth seeing but The White Sister has surprisingly little else to recommend it. Good shot: Angela's duenna...

Author: /time Magazine | Title: Cinema: The New Pictures: Mar. 27, 1933 | 3/27/1933 | See Source »

Potato-nosed Jimmy Durante, the living composite of Manhattan cab drivers, did not have to work hard for his laughs. Covered with characteristic confusion, Funnyman Durante finds himself trying to climb over the orchestra pit to assert his identity when an impostor is introduced on stage in the second scene. He appears to be, as usual, utterly unable to control his feelings. He shakes his parrotlike head, hurls his hat at the band, indulges his ignorant fondness for British idioms, tells the old one about the floorwalker who thought he was about to be kicked by the dog, sings snatches...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Mar. 13, 1933 | 3/13/1933 | See Source »

...which she was also associated with uncouth Mr. Durante, she does not have much to do except feed him a few lines. Lively Lupe Velez, having abandoned most of the Mexican accent she affected in Ziegfeld's Hot-Cha, spends most of her time shaking herself at Funnyman Durante, which calls forth from him the bitter remark: "Now they're makin' me a juvenile...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Mar. 13, 1933 | 3/13/1933 | See Source »

Previous | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | Next