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Word: funs (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

After church and the mammoth noonday Christmas dinner-when "Grandpa" carves a 40-pound turkey-the fun really begins. Seated by the tree, and giving advice on horn-blowing technique to the jumping urchins, the President and the family attack the gift piles with cries of genuine or simulated delight, get lost in the billows of wrapping paper, like many another American family...

Author: /time Magazine | Title: THE PRESIDENCY: Green Christmas | 12/25/1939 | See Source »

...last week's opening there was as much fun from out front as from the stage. When the cast went down into the aisles to dance a Boomps-a-Daisy with members of the audience, up rose Al Smith to tread a measure with alacrity and abandon, drew a storm of applause for being both a good boompser and a good sport. A little later Funnyman Robert Benchley was presented with a live chicken, Little-Man-What-Next Billy Rose with a child's potty-chair...

Author: /time Magazine | Title: The Theatre: New Explosion in Manhattan | 12/25/1939 | See Source »

Conspicuously absent from the ball was fun-loving, publicity-shy Novelist Margaret Mitchell, who stayed home with her husband, Adman John R. Marsh. Said friends: "Her dad's ailin...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

...little Roy Howard, who had been his boss for almost twelve years. Said Broun, polite as always, though he dictated from his bed in a Manhattan hotel, where he lay ill with grippe: "There were fights, frenzies, some praise and a lot of dough, and a good deal of fun in my relationship with Roy." Said Roy Howard, also polite, in a note appended to Broun's column: "Heywood was occasionally a bit of a headache. But like many another headache, he was worth the price...

Author: /time Magazine | Title: The Press: Last Column | 12/25/1939 | See Source »

...swivel-voiced prima donnas. Fashionable composers like Handel had to write their librettos in Italian. The Caruso of the period was the Italian eunuch-Francesco Bernardi Senesino, whose misfortunate voice earned fabulous sums at London's Royal Academy of Music. Lustier London wits like Henry Fielding began poking fun at this artificial art, inveighed against London's "wanton, affected fondness for foreign musick," with its "squeaking recitatives, paltry Eunuchs . . . and trills of insignificant, outlandish vowels...

Author: /time Magazine | Title: Music: Beggar's Opera | 12/25/1939 | See Source »

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