Word: furiously
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Dates: during 1950-1959
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...huge canvases at the opening rapidly began sorting out impressions. Jackson Pollock was the most important, they decided. Mark Rothko's shimmering panels of color were their favorites, followed by the works of Clyfford Still (TIME, Nov. 25), Franz Kline, Philip Guston. Sam Francis. The qualities most admired: "furious vitality," "unbiased liberty," "a renovating spirit." Cried Critic Eduardo Cirlot: "The most important show that Spain has seen in the last 25 years. There's no doubt that American artists are the vanguard of the world...
...Durrant-Atwill, displaying zeal above and beyond the couch, arranges the kidnaping of a famed British conductor on his way to a continental music festival, enabling George Conway to palm himself off on the foreign orchestra as the great man himself, and to scourge the players through many a furious rehearsal. It ends happily ever after with Uncle George not only promoted to Assistant Secretary to the Ministry but also appointed official "guest-conductor" to Europe's finest orchestra...
...cried openly at his concerts; in Leningrad, where fans queued up for three days and nights to buy tickets, one fell out of her seat in a faint. When Moscow TV scheduled only the first half of Van's prizewinning performance, the advance protest from Muscovites was so furious that the station scheduled the whole recital, plus encores. Thereafter, in each of the four cities where Van played on his Russian tour, his performance was broadcast on local TV and radio. Russians by the millions have learned to spot Van's most distinctive trademark-his great shock...
...held up Ella and her eleven-man troupe for almost two hours on a luggage search (object of the hunt: unspecified contraband), cut open toothpaste tubes, analyzed a bottle of vitamin pills belonging to Bassist Ray Brown, tried to probe the large (225 Ibs.) person of Songstress Fitzgerald. Furious, Ella shouted: "I've been a million places but never saw anything like this!", later calmed down over the reaction of her first audience, which yowled for encores, went home only when Pianist Oscar Peterson, in desperation, played God Save the Queen...
...more than the will of the sovereign. Sir Edward Coke immortalized Bracton's words-"Rex non debet esse sub homine, sed sub Deo et lege" (The king ought not to be under man, but under God and the law)-by flinging them in the furious face of absolutist James I. Then Coke fell to his knees in terror of losing his head-yet his doctrine lives today as the wellspring of the rule...