Word: furiousness
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...ability to keep the listener "caught up in the motion of the songs," an ability that very few rock groups, such as the Who, possess. Again Williams gives carefully chosen examples of how exactly and Airplane manipulates tension, rhythm, loudness, and speed of tempo to produce a furious drive in their songs...
...Furious, Lena picks a fight with Börje, who takes off back to the city in his MG. At film's end, the two have paid a joint visit to a delousing clinic and have effected a kind of Pirandellian reconciliation, applying less to their roles in the movie than to their extracurricular relationship. Intercut with this dreary dramaturgy are endless man-on-the-street interviews conducted by Lena ("Do you think that Swedish society has a class system?" "Do you belong to the labor movement?") and lots of shots of Sjöman making the film...
...exited from the courtroom in a rain of spring flowers, the crowd shouted, "We're with you, Irina!" When one furious KGB guard stomped on a bou quet, a girl friend of Irina's grabbed it and struck the secret policeman on the head with the flowers. After a scuffle, Irina was spirited off to prison in a truck that looked like a bread-delivery wagon. Russian spectators recalled a sim ilar scene in the last chapter of Al exander Solzhenitsyn's novel The First Circle, when the hero, Gleb Nerzhin, is carried off to a Stalinist...
...oblique. Joseph Alsop viewed the speech as "eloquently phrased, redolent of good intentions, admirably delivered but-to put it very mildly-not enormously informative." Mary McGrory, the Washington Evening Star's sentimental liberal, reproduced a parade-route confrontation between a 60-year-old South Carolina Republican and a "furious youth" with long bleached hair, who ranted on behalf of peace. "I voted for the man who just went by," said the South Carolinian. "He's for peace, too. Didn't you hear his speech?" The boy sneered: "Words, words, words...
...touched index finger to thumb to produce tiny streams of pizzicato noises. Occasionally a player would press down a trumpet valve without blowing, and let it go just for the click. Or another would blow through a trombone to achieve a breathy effect. There were prolonged single notes and furious tonal scurryings up and down the scale. Yet the Peabody Contemporary Ensemble blended it all into a fascinatingly rich texture of abstract, color-crazy sound in which dense sonic images were rent by small plinks as sharp and gleaming as broken glass...