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...virtually every city east of Denver (most of the Far West was spared the blackout), the telephone switchboards at NBC affiliate stations lit up like fireflies on grass. In Manhattan, a blitz of 10,000 angry callers blew a fuse in the network's switchboard. In sheer frustration, hundreds of other fans telephoned the New York City police, tying up its emergency number for more than three hours. In a further display of exquisite timing, NBC belatedly announced the results of the game in two news streamers, one of which chugged across the bottom of the screen just when...

Author: /time Magazine | Title: Television: The Deep Dark Debacle | 11/29/1968 | See Source »

Watching the Fuse...

Author: /time Magazine | Title: Letters: Oct. 25, 1968 | 10/25/1968 | See Source »

...Change and renewal in the church is irrevocably necessary to make it acceptable in our days. This renewal can't be stopped by compiling a dossier on Schillebeeckx, or by calling our church a revolutionary avantgarde. Schillebeeckx didn't betray us. Our world is nearly exploding, the fuse burns, and we shall have to do our utmost...

Author: /time Magazine | Title: Letters: Oct. 25, 1968 | 10/25/1968 | See Source »

...spinster has always been a haunting and rather mysterious figure: no man quite knows her. Victorian writers characterized her as a religious zealot or an anxious nanny. In the post-analytical theater, Playwrights William Inge and Tennessee Williams toss her about like a sex bomb on a short fuse -guaranteed to explode somewhere in the second act. Sylvia Ashton-Warner's Spinster and Margaret Laurence's A Jest of God show the bomb defused. Both novels capture the faded maiden in dignity and pathos. She is as obsolete as an antimacassar-and as real as the reader...

Author: /time Magazine | Title: New Movies: Rachel, Rachel | 9/6/1968 | See Source »

There is another element that Peter Townshend--who, it should by now be apparent, is a giant among giants with the Who--introduces in their music, that of electronic manipulation. All electric instruments come with a sizable Noise (as distinct from Music) potential. The challenge is to attempt to fuse Noise and Music so that they go together--such music it seems is known as Musique Concrete. Writing in the Aug. 10 issue of Rolling Stone, Edmund O. Ward calls Townshend "one of the foremost pioneers and practitioners of this art" and goes on to rave about the instrumental break...

Author: By Sal I. Imam, | Title: The Who | 8/13/1968 | See Source »

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