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...Oriental manservant Kato, trying to spy for his boss, Clouseau, disguises himself with a pair of glasses so thick that he keeps walking into things? I hate to admit it, but I did. Will you giggle helplessly when an assassin hands Sellers a round, black bomb with a sizzling fuse and tells him it's a special delivery package? Again, I plead guilty. How does Edwards get away with this old schtick? By keeping, I believe, his technique straightforward and limp, with no shock-cutting or screwy camera angles to jar us. Most of his shots are familiar medium-close...

Author: By David B. Edelstein, | Title: Panther Puree | 8/18/1978 | See Source »

...Elliott Erwitt's New Jersey, 1953, is a most plainly observed view by a roadside: sky, bushes, bus stop. But the cannon muzzle poking over the top of the bushes removes it to another tract of the imagination. For a moment the areas "out there" and "in here" fuse in an image of brilliantly calculated mystery, all the more effective for its offhandedness...

Author: /time Magazine | Title: Art: Mirrors and Windows | 8/7/1978 | See Source »

...vision degenerated-first, after a series of primitive cataract operations, distorting his sight toward yellow, and at last toward blue-Monet rarely left his garden; but then, he did not need to. He had constructed a symbolist heaven on his front doorstep, and (since nature and culture fuse in the hortus conclusus-the enclosed garden-of paradise) the circle of his desires was complete. The result was the most consoling art of the 20th century: not simple in its pleasures, but oceanic in its peace, wave upon wave of light rippling through the immense canvases, a palpitation as vast...

Author: /time Magazine | Title: Art: The Old Man and the Pond | 5/1/1978 | See Source »

...least Casson managed to fuse dramatic nuance and expressive gesture into an integrated whole. Holly Whipple's glib "In Sequins and Out," on the other hand, merely manipulated surfaces, whether of theatrical convention or of psychological cliche. The plot was straight out of "The Sorcerer's Apprentice," predictable from start to finish, though it detoured along the way to poke fun with elephantine subtlety at ballet, tap, show-dancing, stage mothers and theater people in general. Small girl, repulsively well-scrubbed, trips off to dance class. Glitteringly costumed dancers enter to whir through various routines like wind-up toys. Small...

Author: By Juretta J. Heckscher, | Title: More Than a Theory | 4/19/1978 | See Source »

...Fuse these qualities at their apex and you get an O'Casey. Even a lesser Irish dramatist like Hugh Leonard can be uncommonly rewarding. Da, now at Manhattan's Hudson. Guild Theater, means dad. The play is a fencing match with the ghosts of the past. The blood drawn is palpably human, the wit, parried and thrust, strikes sparks of continuous and sometimes quite unexpected humor. Says the father in Da of his late wife: "She died an Irishwoman's death-drinking tea." The laughs crop up like that, not as explosions but implosions, deeply rooted...

Author: /time Magazine | Title: Theater: Urn of Memory | 3/27/1978 | See Source »

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