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...their own lives for some of the dialogue, as Antonioni apparently encouraged them to do, then they are in part responsible for character inconsistencies that cloud the basic narrative thrust of the film. A twenty-one-year-old carpenter from Mel Lyman's Fort Hill commune, allowed to fuse his beliefs with his part, is not going to esndorse a set of volatile character traits compatible with buying guns and menacing policemen ( Avatar, remember, endorsed Robert Kennedy's candidacy as the hope of the Nation). Less important but equally troubling, it is to be hoped that a San Francisco dancer...

Author: By Tim Hunter, | Title: In Search of 'Zabriskie Point' | 3/11/1970 | See Source »

...self-gratifying illusion when faced with actual degeneration, thereby failing to deal with society on its own terms, as a revolutionary. Like Blow-Up, there is some doubt whether Zabriskie Point projects hope or total pessimism. Given the frequent shifts in point-of-view and Antonioni's tendency to fuse himself with his characters to carry them to new experience, the ending operates better as a fantasy specifically given to Daria. As a vision implanted in the girl by the director-God, its constructive nature remains unqualified. Daria is wiser for it-not further detached from external action...

Author: By Tim Hunter, | Title: In Search of 'Zabriskie Point' | 3/11/1970 | See Source »

Fonda rides above them like a man on a gelding. Without missing a hoofbeat or a paycheck, he appears in westerns (Jesse James), biographies (The Story of Alexander Graham Bell), even comedies (The Mad Miss Manton). But it is not until 1940 that the man and his role fuse into the permanence of art. More than 20 years later, John Steinbeck unreels a print of The Grapes of Wrath...

Author: /time Magazine | Title: Show Business: The Flying Fondas and How They Grew | 2/16/1970 | See Source »

...into buckets under their boxing ring while a tape recorder plays crowd screams. They take a week to die. Minimal sculpture everywhere, reaching even into the Portuguese delegation. Pushbutton and wind-up sculptures break down in a matter of hours. Slides flicker against every flat surface until the bulbs fuse. Enough visual noise is, in point of fact, white light...

Author: /time Magazine | Title: Art: Tour of a Long Spiral | 12/26/1969 | See Source »

...humanism and the young's denial-may yet fuse. How? The Paris Biennale offers only the most tantalizing hints. This looks like the beginning of the decade of the art group: from the U.S., from France, from Cuba, Canada, Eastern Europe, well over half the work that the young sent to Paris was created by teams. The other new beginning is a cool fascination with man's urban environment as subject-dream cityscapes, 21st century living and working places, architectural fantasies. But these are suggestive glimpses of the art that is forming toward the turn of the millennium...

Author: /time Magazine | Title: Art: Tour of a Long Spiral | 12/26/1969 | See Source »

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