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Instead, the idiosyncratic universe of "Scud" is generated out of a bizarre fusion of selected elements of the popular culture of the last decade or so: action movies, popular music, noir films, video games, Dungeons & Dragons, Japanese robot cartoons. The resonances evoke the increasingly trendy ideas of a sort of "geek chic," based on the artifacts of mainstream male teenage culture of the 1980s and early 90s, overlaid with a technophilic edge: it's a world born out of John Woo movies, computer hacking and the fandom of comic books themselves. It's a universe in which attitude is everything...

Author: By Susannah R. Mandel, CRIMSON STAFF WRITER | Title: KILLER Comics | 12/5/1997 | See Source »

Because when it's taken on its own terms, of course, Schrab's ridiculous fusion of machismo, humor and popular culture works. And it certainly does generate a lot of attitude. Scud himself realizes this in one of his profounder moments. Meditating that he's one robot protagonist who's never wanted to be a human being, he comes to the conclusion that he should enjoy being what he is. Summing up the central aesthetic of the comic, Scud proclaims, "It's cool to be a robot...

Author: By Susannah R. Mandel, CRIMSON STAFF WRITER | Title: KILLER Comics | 12/5/1997 | See Source »

...that actually sell papers, via the Web, to students too lazy or dumb to write their own. Sahr, you should know, is not a defendant in that suit since the thousands of papers at his site--on every subject from "The Tragedy of the Black Death" to "Why Nuclear Fusion Is So Cool"--are yours to download for free. (Help yourself.) But he runs the biggest of the term-paper sites, so everyone wants to interview him about this trivial and silly controversy. "I've never spent so much time on the phone with the press," he says happily...

Author: /time Magazine | Title: TECHWATCH: THE GREAT TERM-PAPER FLAP | 11/24/1997 | See Source »

...fusion is not nearly so bizarre as it sounds. Msomi first penned the play 28 years ago in apartheid-riven South Africa, at the urging of a drama professor who suggested that he find a way to showcase and celebrate "the richness of our South African culture" in a format that might easily be understood by the rest of the world. Msomi's epiphany came when he realized that the political background of Macbeth-- the half-mythologized atmosphere of the warring clans of medieval Scotland--was eerily similar to that of the birth of the Zulu nation, united...

Author: By Susannah R. Mandel, CRIMSON STAFF WRITER | Title: Spectacle Trumps Speech in `Umabatha' | 11/7/1997 | See Source »

...really pissed in the Old Testament." During their discourse, it becomes plain just how much these men share in common. This moment captures the power of the film as a whole, showing how two apparently disparate cultural figures can come together in one well-balanced fusion of music and film...

Author: By Brandon K. Walston, CONTRIBUTING WRITER | Title: Paying Tribute to the Young and Crazy | 10/24/1997 | See Source »

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