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...probably an innocent explanation for the fact that Stanley Pons has dropped out of sight, hiding his whereabouts from the press and his employers. Granted, the University of Utah chemist has been under pressure since March 1989, when he and British colleague Martin Fleischmann said they had created fusion in a jar. Skeptical scientists doubted that the pair had tamed the sun's power source -- at room temperature. The complaint was not just that they had announced their discovery at a press conference rather than in a scientific journal but also that no one else had been able to replicate...

Author: /time Magazine | Title: Science: Calling Dr. Pons | 11/5/1990 | See Source »

...seminars, he tirelessly proclaims the "majesty" of the jazz tradition and inveighs against those who, in his view, are selling it out to the forces of "commercialism." His particular bete noire has been his early idol Miles Davis, whom Marsalis once accused of being "corrupted" by his move into fusion, sparking a bitter public feud between...

Author: /time Magazine | Title: Wynton Marsalis: Horns of Plenty | 10/22/1990 | See Source »

...great divide in American jazz took place after World War II, with the emergence of the bebop movement, spearheaded by Dizzy Gillespie and Charlie ("Bird") Parker. By the '60s, bebop had largely given way to experimental avant-garde styles. When fusion took over in the '70s -- although some musicians were still playing earlier styles -- many jazz fans began to bemoan the death of a great American tradition...

Author: /time Magazine | Title: Wynton Marsalis: Horns of Plenty | 10/22/1990 | See Source »

Precisely. Wynton's musicianship, already on a world-class technical level when he first hit New York, has continued to develop and mature. Though his early influences -- Clifford Brown, Freddie Hubbard and pre-fusion Miles Davis -- are still discernible in his playing, he is increasingly forging his own sound. Since leaving Blakey to form his own band in 1981, he has released a total of 12 jazz albums, and he has enough material in the can to fill eight or 10 more. On the classical side, he has done five recordings, and is now working on a baroque album with...

Author: /time Magazine | Title: Wynton Marsalis: Horns of Plenty | 10/22/1990 | See Source »

Just what that future will sound like is hard to say. "Maybe people will develop new voices again," muses guitarist Howard Alden. "But with the knowledge of the traditional background, it will have more depth." Saxophonist David Sanborn, 45, a top-selling fusion artist, thinks that many of the current acoustic players may start experimenting with more high-tech sounds. RCA's Backer foresees an eclectic middle ground. Says he: "The significant artists of Wynton's tradition will continue to be important in the '90s, but they will coexist alongside more probing, experimental artists...

Author: /time Magazine | Title: Wynton Marsalis: Horns of Plenty | 10/22/1990 | See Source »

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