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...Irrevy" affirms the antinuclear slogan "Question Authority" with a convincing fusion of scientific insight and moral outrage. It is true Gofman's ideas about "privilege-elites"--occasionally sends him flying off on odd tangents outside his expertise. These can be provocative, like his argument, in the form of a logical proof, that nuclear war is inevitable. Or they can be simply naive, like his call for slashing the size of government in favor of personal generosity and an ill-defined international "justice movement." But one need not accept all Gofman's opinions to leave his book with a terrible...

Author: By Mark R. Anspach, | Title: Radiating Revolt | 10/5/1979 | See Source »

Miller, speaking after a one-year trip through China, said that the tendency in Chinese theater to "overact" and play to an audience was the biggest difference between Chinese and Western theater. He added, however, that there seems to be a fusion taking place of this "presentational method" with a "more realistic Western method," in which actors work with the "fourth wall...

Author: NO WRITER ATTRIBUTED | Title: Miller Says Chinese Theatre Flourishes in Popular Rebirth | 10/3/1979 | See Source »

...Tommy sang to his followers: "Listening to you I get the music/ Gazing at you I get the heat." Reverse the title of Who Are You, and the point comes clear; listen to Music Must Change, one of the album's best cuts, and Townshend's fusion of music and audience is complete: "Deep in the back of my mind is an unrealized sound ... Confirmed in the eyes of the kids/ Emphasized with their fists...

Author: /time Magazine | Title: Music: A New Triumph for The Who | 10/1/1979 | See Source »

THESE TWO albums are about as dissimilar, musically, as any products of today's mass-marketed record companies can be. Lou Reed's record is curious fusion of jazz instruments, electronic effects, and Reed's fast-decaying voice; Patti Smith's latest is a luke-warm porridge of mushy mixing and tame playing. Yet we have New York Times critic John Rockwell '62 hailing both artists as "principal figures in New York's vanguard rock underground," and liberally praising their records. Arista Records chose to release both new albums at the same time, helping link the two in the public...

Author: By Scott A. Rosenberg, | Title: Notes from Underground? | 5/23/1979 | See Source »

...Want to Boogie With You," Don Cherry's trumpet and Marty Fogel's sax thicken the soup of a repeated chord sequence in the bass and guitar; indeed, throughout The Bells these traditional jazz instruments are worked into Reed's rock songwriting better than most so-called fusion bands ever manage. Reed advertises his new orientation on the album sleeve, prominently displaying his statement. "If you can't play rock and you can't play jazz, you put the two together and you've really got something." Unfortunately, Reed's voice has deteriorated from the days when he could belt...

Author: By Scott A. Rosenberg, | Title: Notes from Underground? | 5/23/1979 | See Source »

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