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Futurism made the most noise at the start. The futurist painters' manifestos of 1910, written by that inspired poet and arch-hypester Filippo T. Marinetti and signed by a clutch of brilliantly gifted artists (Giacomo Balla, Umberto Boccioni, Carlo Carra, Luigi Russolo and Gino Severini), declared war on cultural history -- "the enthusiasm for everything worm-eaten, rotting with filth, eaten away by time...

Author: /time Magazine | Title: Art: Raw Talk, but Cooked Painting | 4/3/1989 | See Source »

...Balla was the best painter associated with Futurism, the idea of metaphysical painting is all but synonymous with De Chirico. Just as futurist cells sprang up all over the world, and futurism was for most people synonymous with modern art up to at least 1925, so De Chirico's dreaming, spatially deceitful piazzas and arcades, with their phallic locomotives and long-shadowed statues, had an immense resonance both inside and outside Italy. Their influence on surrealism was crucial, but their reveries about past and present, nature and culture, memory and desire also hover behind much Italian art from...

Author: /time Magazine | Title: Art: Raw Talk, but Cooked Painting | 4/3/1989 | See Source »

...most formidable disc library. Its version of Orson Welles' masterpiece The Magnificent Ambersons contains, among other items, the entire shooting script, a full set of storyboards, and stills of crucial scenes deleted by the studio. The Criterion edition of Blade Runner has a lavish set of designs by "visual futurist" Syd Mead; the disc of 2001 was personally . overseen by Stanley Kubrick and includes almost a thousand pages of essays and production memos. "We're a significant part of an as yet insignificant business," says Voyager co-founder Robert Stein. But other companies are fast picking up on his lead...

Author: /time Magazine | Title: Show Business: Archaeology by Laser Light | 2/6/1989 | See Source »

...rather claustral kind, but atmosphere just the same -- bathe the bodies and unify them as objects in the world while threatening always to dissolve them as emblems of personality. The surfaces look as if they came via Philip Guston from Monet, picking up some of Giacomo Balla's futurist dissections of light particles along the way -- a sober flicker in which images flash and are gone like the sides of fish in dark, weedy water...

Author: /time Magazine | Title: Art: Spectral Light, Anxious Dancers | 11/9/1987 | See Source »

...virtually straight renderings of multiple-exposure photographs. But in his series of paintings inspired by a Fiat speeding down the Via Veneto, the game gets more complex. Nearly all of this series is assembled at Palazzo Grassi, culminating in Balla's Abstract Speed, 1913, one of the few large futurist paintings that can be called a pictorial masterpiece, a thundering black Doppler-effect image in which the shapes of wheel, mudguard and driver dissolve in and out of the shuttling buildings...

Author: /time Magazine | Title: Art: Kill the Moonlight! They Cried | 8/4/1986 | See Source »

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