Word: futuristically
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WHITNEY-22 West 54th St. The first retrospective show since Futurist Joseph Stella's death in 1946 fills two floors with his paintings, collages and drawings. Among 100 works is his most ambitious, New York Interpreted, a five-canvas panorama that glows with dark lapidary lights. Through Dec. 4. Complementing the retrospective, a show at Schoelkopf Gallery, 825 Madison Ave. at 69th St., offers paintings, gouaches, drawings and collages from all periods of Stella's career. Through...
...Germany. During this term he also led a seminar in European socialism and communism in the interwar period; he has written a book on the Second International, and another on Three Intellectuals in Politics, Leon Blum, Walther Rathenau, and F.T. Marinetti. The last of the three, the Italian futurist painter who had so much in common with D'Anaunzio, is an especially illuminating corner of Joll's work: he confesses to fascination with the "links between artistic and social and political development" in this century, between "the breakdown of conventions in the arts...and the growing interest in why people...
...holds the scent of azaleas and the sound of the courthouse clock striking the hour. In his previous books, Color of Darkness and Malcolm, Ohio-born James Purdy, 37, dealt with nightmare subjects in a complex, brooding style that often baffled readers. This time, in the manner of a futurist painter determined to show doubters he can be a master of realistic drawing if he chooses, Purdy uses a simple, controlled and explicit prose to achieve his eerie effects. Whether he is being opaque or clear, Novelist Purdy peoples his books with troubling and troubled human beings, proves himself...
From those early years on, Italian painting fluctuated wildly between violence and serenity. Even as the futurist wave gathered momentum, Modigliani began painting his delicately attenuated figures, and Italy's art moved on through Giorgio de Chirico's dream-like surrealism, the almost eerie quiet of Giorgio Morandi's still lifes, and finally into the boiling seas of abstract expressionism. To show the full sweep, the Museum of Modern Art lent 46 of its own works, went to 17 other U.S. museums and such private collectors as Joseph Pulitzer Jr., Peggy Guggenheim, John D. Rockefeller III, Oveta...
Force & Humor. None were received with greater interest than the paintings of the rebellious futurists of 1910. Boccioni's famous States of Mind: the Farewells (see color), owned by Nelson Rockefeller, is a cascade of form that suggests a world about to be overwhelmed by a snorting, blazing force that cannot be named. But of all the works in the exhibit, the one most affectionately greeted was Leash in Motion, by Boccioni's great teacher and fellow futurist, Giacomo Balla, master of both movement and humor. "We had not seen it," sighed Rome's Momento-Sera...