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...point of his career was in the 1940s. He decided, in a mood of perversity, to paint "modern art" -pictures full of impressionist fuzz and expressionist slather. The Gorgon, 1943, a wretched parody of Monet applied to a surrealist syntax, may be the least inept of these. If anything, they showed how far Magritte's real gifts lay from the orthodox processes of modernism. Nor did his first essays in the surrealist manner, done in 1925-26, indicate much about the artist to come; they are, for the most part, grab bags of motifs from other painters, chiefly Ernst...

Author: /time Magazine | Title: Art: Enter the Stolid Enchanter | 3/5/1979 | See Source »

...news organizations have to do this work? Where are the fuzz and the feds when you need them? "I'd never fool with the government," Appleton advises inflamed citizens. "Too slow. By the time they get around to solving a problem, the guy has either solved it himself or died." No exaggeration, that. Here is how the Providence Journal-Bulletin had to answer E.M. of Cranston, R.I., who had complained that the Social Security people were giving him the runaround: "Sadly, we are writing this answer to E.M.'s widow. (See story on Page...

Author: /time Magazine | Title: In New York: Miss Lonelyhearts Many Times Over | 10/16/1978 | See Source »

...Says Gilbert Gleim, a biomedical researcher at Lenox Hill Hospital's Institute of Sports Medicine and Athletic Trauma in New York City: "The opponent slams the ball and our Saturday's hero catches it in the eye." Or gets to eat what Braden calls "a fuzz sandwich." The sport's most common ailment, of course, is tennis elbow. A player's forearm muscles may not be strong enough to hold or control the racket correctly, resulting in an improper swing. Small rips or microtears develop in the tendons of the forearm muscles near the elbow...

Author: /time Magazine | Title: Medicine: Woes of the Weekend Jock | 8/21/1978 | See Source »

...painted to look like real skin, clothed in real garments and provided with genuine glass eyes. The craftsmanship is meticulous, not to say obsessive. It produces not images but model people-androids without the electronic guts. Each plastic scalp is the sum of myriad transplants; thousands of strands of fuzz are pricked into the cold, immobile forearm; the pigment on the skin replicates flesh down to the very last pore, zit, shaving nick and burst vein, while every T shirt and pair of overalls displays exactly the right degree of grunge, wear and spattering. Consequently, the presence of these figures...

Author: /time Magazine | Title: Art: Making the Blue-Collar Waxworks | 2/20/1978 | See Source »

...first impression is of peach-fuzz abstract expressionism-big, suave, one-color surfaces. But the sunset colors -mauve, rose, gray and a rich ecclesiastical red-are neatly tuned by Dine's drawing, which gives exactly the right definition to the edge of a sleeve, the correct visual weight to the shadow in a fold. It is beaux-arts drawing applied with a kind of gentle irony to the ma trix of abstract-expressionist style. Dine's older paintings of robes in the '60s were done with acrylic and house paint; they had the "industrial" look common...

Author: /time Magazine | Title: Art: Self-Portraits in Empty Robes | 2/14/1977 | See Source »

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