Word: fuzzing
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...share the joy of cinematic subtext when he first saw E.T. in 1982. In one scene, Spielberg dropped in the music from Lucas' The Empire Strikes Back. "I remember wanting to stand up in the theater and say, 'Did you just hear that?!'" says Pegg, whose new film, Hot Fuzz, provides similar moments for fans of buddy-cop movies like Bad Boys II. Other fanboys who have gone on to work in the business include Spider-Man director Sam Raimi; the two Transformers writers, Alex Kurtzman and Roberto Orci; and David Arquette, who showed up for a screening...
...FUZZ Rated R; in theaters April...
...Fuzz Celluloid Gold Haha, wait—the British have cop movies? Don’t they, like, not have any crime there? It’s like the Vermont of the European Union. Okay, let’s set that matter aside for a moment. This trailer, from the makers of “Shaun of the Dead,” is so delightful that I’m willing to suspend my disbelief about England having anything more dangerous than hooligans knocking over dustbins in Herefordshire. Unlike most trailers, this one manages to be equal parts LOL-worthy...
...less than a new start for Gorillaz (and Blur) leadman Damon Albarn, who sounds unhappier than he did on Blur’s “13.” His guitarist, Simon Tong (formerly of the Verve), sounds almost exactly like Graham Coxon. But the strange synths and fuzz coloring the album, courtesy of producer Danger Mouse, is fascinating at best, obnoxious at worst. It’s a half-finished Blur album, with a little more brooding than usual...
...band’s former hits. Upbeat tunes “Australia” and “Red Rabbits” offer a taste of Mercer & co.’s old-school eclecticism before they too fall victim to the album’s noisy, unnecessary fuzz. Even the softly spoken ballad, “A Comet Appears,” is too familiar to be considered a total reinvention and too mediocre to hold a place with the rest of The Shins oeuvre. The Shins’ old albums gave us quirky, inventive music that became corrupted...